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A CAGE WENT IN SEARCH OF A BIRD

An original and thought-provoking exploration of the rhythms of friendship.

It is common to associate cages with imprisonment, but what of the cage’s point of view?

The book’s title is an aphorism attributed to Franz Kafka; it clearly stimulated a flight of fancy in Fagan. He banishes his subject to an attic corner where it feels “useless and unwanted.” Despite admonishments from the suitcase and guitar, the cage maneuvers itself to the window and jumps. Decorated with heart-shaped scrollwork, this wrought-iron home longs for an inhabitant. It strikes up conversations with all the birds that happen by, from a hummingbird to an owl, trying to persuade them of the merits of caged life. Blues and oranges dominate Erfanian’s vibrant illustrations. The flowers that grace the rolling hills and the texture applied to the wooded backgrounds create a cozy tapestry effect further enhanced by the soft edges produced by the acrylic and oil pastels. Each wild creature rejects the cage’s logic, and after a lonely night, there is a discernable difference in its approach to the frightened bird that lands nearby. The cage listens to the pet’s tale of abandonment without pressure, simply keeping it company. Ultimately, an invitation is extended: “Do not worry anymore. Hop inside where it is warm and safe. For I have come to save you. And you have come to save me.”

An original and thought-provoking exploration of the rhythms of friendship. (Picture book. 4-7)

Pub Date: May 16, 2017

ISBN: 978-1-55498-861-7

Page Count: 32

Publisher: Groundwood

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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RUBY FINDS A WORRY

From the Big Bright Feelings series

A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their...

Ruby is an adventurous and happy child until the day she discovers a Worry.

Ruby barely sees the Worry—depicted as a blob of yellow with a frowny unibrow—at first, but as it hovers, the more she notices it and the larger it grows. The longer Ruby is affected by this Worry, the fewer colors appear on the page. Though she tries not to pay attention to the Worry, which no one else can see, ignoring it prevents her from enjoying the things that she once loved. Her constant anxiety about the Worry causes the bright yellow blob to crowd Ruby’s everyday life, which by this point is nearly all washes of gray and white. But at the playground, Ruby sees a boy sitting on a bench with a growing sky-blue Worry of his own. When she invites the boy to talk, his Worry begins to shrink—and when Ruby talks about her own Worry, it also grows smaller. By the book’s conclusion, Ruby learns to control her Worry by talking about what worries her, a priceless lesson for any child—or adult—conveyed in a beautifully child-friendly manner. Ruby presents black, with hair in cornrows and two big afro-puff pigtails, while the boy has pale skin and spiky black hair.

A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their feelings (. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-1-5476-0237-7

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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