by Casie Kesterson & illustrated by Gary Hovland ‧ RELEASE DATE: March 6, 2012
It's a pity that the real story behind this actual, extraordinary piece of ornate French décor is withheld, leaving readers...
The fictionalized story behind the creation of a 19th-century chandelier currently on display in the J. Paul Getty Museum.
In the early 1800s, Louis Alexandre enjoys visiting his Uncle Henri on his expansive estate just outside of Paris. On his latest visit, he finds his artist uncle distraught, unable to conceive a new design for a chandelier, which must incorporate the four classical elements: Earth, Wind, Fire and Water. Several days of collaborative thinking, drawing, designing and building produce the unusual and intriguing light fixture, which includes a blue sphere with stars, griffins and a crystal bowl filled with swimming goldfish. The lengthy narration features the internal recounting of adventurous tales that serve as inspiration for the characters’ creativity. Intricate, darkly tinted ink-and-watercolor paintings depict the well-to-do gentleman and his nephew, both in ruffled shirts, imagining, consulting and overseeing the creation of a new masterpiece. They provide relief from the long-winded text, which, though not without humor, does readers a disservice in its baroque construction. An author’s note provides some clarification but no true investigation of the actual manufacture of the chandelier.
It's a pity that the real story behind this actual, extraordinary piece of ornate French décor is withheld, leaving readers cheated of a true exploration of art history. (Picture book. 7-9)Pub Date: March 6, 2012
ISBN: 978-1-60606-094-0
Page Count: 32
Publisher: Getty Publications
Review Posted Online: Feb. 5, 2012
Kirkus Reviews Issue: Feb. 15, 2012
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by Joe Lillington ; illustrated by Joe Lillington ‧ RELEASE DATE: Aug. 11, 2015
A skimpy alternative to Adrian Lister and Martin Ursell’s Ice Age Tracker’s Guide (2010).
A small bison meets some ice age megafauna in this prehistoric ramble.
Assuring his mom that “I’m big now. I’m not scared!” little Toby scampers off. He collides with a grumpy woolly rhinoceros, introduces himself to a Megatherium, wonders at a woolly mammoth’s tusks, and sidles anxiously past a handful of other Pleistocene creatures—including a group of fur-clad humans—before gamboling back to safety. Along with exchanged greetings, each encounter comes with a side box of descriptive facts and comments, plus a small image of the animal posed next to a human (in modern dress) for comparison. Young viewers will marvel at the succession of massive ruminants and predators, which Lillington renders in watercolors with reasonable accuracy, if anthropomorphic facial expressions. He offers measurements in metric units only (except for humans, whose weight is opaquely designated “average”). Rather anticlimactically, he caps his gallery with a perfunctory, unillustrated list of “some other amazing ice age animals that Toby didn’t get to meet!”
A skimpy alternative to Adrian Lister and Martin Ursell’s Ice Age Tracker’s Guide (2010). (Informational picture book. 7-9)Pub Date: Aug. 11, 2015
ISBN: 978-1-909263-58-1
Page Count: 32
Publisher: Flying Eye Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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by Susan Vande Griek ; illustrated by Pascal Milelli ‧ RELEASE DATE: April 1, 2016
A restrained, lyrical introduction to a nature artist whose work and reputation justify the exposure to young viewers south...
Inspired by a historical encounter, a child remembers Canadian artist Tom Thomson teaching her to paint during a summer sojourn at her father’s lakeside home.
As in the creative team’s The Art Room (2002), a similar tribute to Canadian artist Emily Carr, Vande Griek’s spare, poetic narrative links a series of harmonious scenes done in strongly brushed strokes of greens, blues, and golds. Arriving at the lakeside house one afternoon in a canoe filled with “fishing gear, / camping gear, / painting gear,” Tom makes mulligatawny stew over a campfire and then, as days pass, ventures out with the young observer to paint flowers and boats, trees, and moonlight on water. All the while, as a sort of refrain, the west wind blows “gentle” or “fresh,” “light” or “wild,” and when at last it blows “away” with July’s passage, the young man too departs. Milelli incorporates inexact but evocative versions of some of Thomson’s paintings into his outdoorsy illustrations, and Vande Griek closes with a biographical note enlarging on the 1914 visit and the painter’s prominent place in the history of Canadian art.
A restrained, lyrical introduction to a nature artist whose work and reputation justify the exposure to young viewers south of the border. (resource list) (Picture book. 7-9)Pub Date: April 1, 2016
ISBN: 978-1-55498-701-6
Page Count: 32
Publisher: Groundwood
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
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