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UNDER THE UMBRELLA

Name: UNDER THE UMBRELLA
Author: Catherine Buquet
ISBN: 978-1-7727-8016-1

by Catherine Buquet ; illustrated by Marion Arbona ; translated by Erin Woods ‧ RELEASE DATE: March 1, 2017

Memorable and instructive without a hint of didacticism.

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A grumpy man fights a rainstorm and other pedestrians but learns a lesson when his umbrella goes flying.

Pithy poetry pairs with artful illustrations in this Canadian import, translated from the French. A dark double-page landscape of gray rooftops pelted with rain shows a swath of white light shading into yellow. In the upper right-hand corner is the couplet, “He grumbled at the raindrops / on the rooftops of the town.” And in the next two-page spread, “He growled at the clouds / and at the crowds / that slowed him down.” The wind is so strong the grumpy white man bends nearly double against it. In the distance is a patisserie with a red-and-white–striped awning and a little white boy staring, “entranced,” into the window. The man sees none of this. A gust of wind sends his umbrella flying, and the little boy catches and returns it, immediately returning his attention to the window of treats. With just a moment’s hesitation, the man hands the umbrella back to the boy, enters the shop, and buys a juicy raspberry tart for the boy. When he shares half of it with the man, the atmosphere beneath the umbrella is transformed to tropical sunlight. Arbona’s fantastical illustrations play with perspective, shape, and pops of bright color that enliven scenes primarily composed of black, gray, and white. Buquet’s text is translated into well-crafted verse by Woods.

Memorable and instructive without a hint of didacticism. (Picture book. 4-8)

Pub Date: March 1, 2017

ISBN: 978-1-7727-8016-1

Page Count: 32

Publisher: Pajama Press

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

Categories:

CHILDREN'S SOCIAL THEMES | CHILDREN'S SCIENCE & TECHNOLOGY

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THE BIG CHEESE

From the Food Group series

by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: Nov. 7, 2023

From curds to riches, from meltdown to uplift—this multicourse romp delivers.

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A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.

From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.

From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)

Pub Date: Nov. 7, 2023

ISBN: 9780063329508

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 26, 2023

Kirkus Reviews Issue: Sept. 15, 2023

Categories:

CHILDREN'S SOCIAL THEMES

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by Jory John ; illustrated by Pete Oswald

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by Jory John ; illustrated by Olivier Tallec

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by Jory John ; illustrated by Erin Kraan

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CLAYMATES

by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

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Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)