by Catherine Fisher ‧ RELEASE DATE: March 18, 2014
Gorgeous, atmospheric, and addictive but ultimately frustrating; absolutely necessary wherever the first has fans.
This second in a projected trilogy provides a sumptuous genre-blend of time travel, dark fantasy and post-apocalyptic thriller, along with more complications than answers.
It starts with a literal explosion, as most of the cast of teenagers, adventurers, schoolmasters, changelings, ghosts and duplicated cats hunker down at the crumbling Wintercombe Abbey, desperately trying to master the Chronoptika—excepting Sarah, sent from a ravaged future to destroy the enigmatic device, and Jake, trapped in the London Blitz. While none of them (with good reason) trusts the others, they agree to work together to save Jake, then to rescue his father. Meanwhile, the vicious queen of the Shee seduces and rages, the Victorian spiritualist Alicia meddles and schemes, and the future tyrant Janus sends back his “replicants” to threaten and mock. The fiendishly labyrinthine plot twists back and forth through perspectives and centuries, from England to medieval Florence to the dreamlike illusions of the Summerland, but elegant prose, deft characterization and an acute eye for telling details keep readers anchored. Although none of the characters, all imprisoned in the grips of their selfish obsessions, is particularly likable, the narrative hurtles at a breathless pace, compelling readers to follow to the final cliffhanger.
Gorgeous, atmospheric, and addictive but ultimately frustrating; absolutely necessary wherever the first has fans. (Science fiction/fantasy. 12 & up)Pub Date: March 18, 2014
ISBN: 978-0-8037-3970-3
Page Count: 368
Publisher: Dial Books
Review Posted Online: Jan. 7, 2014
Kirkus Reviews Issue: Jan. 15, 2014
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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by Renée Watson & Ellen Hagan ‧ RELEASE DATE: Feb. 12, 2019
A book that seamlessly brings readers along on a journey of impact and empowerment.
A manifesto for budding feminists.
At the core of this engaging novel are besties Chelsea, who is Irish- and Italian-American and into fashion and beauty, and Jasmine, who is African-American, loves the theater, and pushes back against bias around size (“I don’t need your fake compliments, your pity. I know I’m beautiful. Inside and out”). They and their sidekicks, half-Japanese/half-Lebanese Nadine and Puerto Rican Isaac, grow into first-class activists—simultaneously educating their peers and readers. The year gets off to a rocky start at their progressive, social justice–oriented New York City high school: Along with the usual angst many students experience, Jasmine’s father is terminally ill with cancer, and after things go badly in both their clubs, Jasmine and Chelsea form a women’s rights club which becomes the catalyst for their growth as they explore gender inequality and opportunities for change. This is an inspiring look at two strong-willed teens growing into even stronger young women ready to use their voices and take on the world, imploring budding feminists everywhere to “join the revolution.” The book offers a poetic balance of dialogue among the main characters, their peers, and the adults in their lives. The exquisite pacing, which intersperses everyday teen conflicts with weightier issues, demonstrates how teens long to be heard and taken seriously.
A book that seamlessly brings readers along on a journey of impact and empowerment. (resources for young activists, endnotes) (Fiction. 12-18)Pub Date: Feb. 12, 2019
ISBN: 978-1-5476-0008-3
Page Count: 368
Publisher: Bloomsbury
Review Posted Online: Jan. 22, 2019
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by Renée Watson ; illustrated by Ekua Holmes
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by Renée Watson ; illustrated by Andrew Grey
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by Renée Watson ; illustrated by Bryan Collier
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