This is the book about skateboarding female rabbits you didn’t know you were missing.
The titular rabbits model tender, generous friendship in Odell’s (I’m Done!, by Gretchen Brandenberg McClellan, 2018) authorial debut.
Best friends Pepper, a white rabbit with one black ear, and Frannie, a flamboyantly outfitted brown rabbit, both girls, love having adventures. Pepper’s idea of a good adventure, however, involves plans, maps, and precision, while Frannie revels in spontaneity. Refreshingly, each friend’s outlook, interests, and impeccable personal style are presented as equally valid, showing (rather than telling) that there’s no one right way to be a girl. When Frannie misses the bus to the Wheels in the Woods skateboarding festival, a helmeted Pepper saves the day with a ride on her motorcycle, then reveals that she’s reluctant to try skateboarding herself. With Frannie’s persistent encouragement, emphasized via faux hand-lettered speech bubbles, Pepper eventually does—with pleasantly surprising results. Sparse lines of text give the mixed-media illustrations an equal role in the storytelling; despite the bold contrast of black text on bright white pages, the text and pacing maintain a sweet, playful tone alongside soft, painterly organic shapes dominated by shades of green and pink. Delightful details abound, from Pepper’s expressions of concentration as she tries “again, and again” to Frannie’s leopard-spotted skating outfit.
This is the book about skateboarding female rabbits you didn’t know you were missing. (Picture book. 3-8)Pub Date: March 19, 2019
ISBN: 978-1-62414-660-2
Page Count: 32
Publisher: Page Street
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Necessary and empowering.
Olympic gold medalist Raisman, who in 2017 spoke out about the sexual abuse she’d endured, presents a primer on bodily autonomy.
“I am strong. I am beautiful. I am unique. I am enough.” So begin the affirmations that appear in this sensitively written book. Raisman underscores the importance of being kind to one’s body and listening to what it needs. She notes that others need to ask permission before touching our bodies; sometimes the answer will be yes, but other times, it will be no. Either is acceptable. Sometimes, someone will forget to ask or won’t respect the answer. When that happens, children can tell them to stop. If they feel unsafe, and it’s hard to say no, they can ask for help from people who make them feel safe. Our voices are just as “powerful,” “beautiful,” and “worthy” as our bodies. Emphasizing the strength inherent in every person—and making clear that we all deserve respect—Raisman has created a much-needed resource for starting a dialogue about consent. Backmatter offers tips for adults about discussing bodies and boundaries. Jackson’s expressive, pastorally soft illustrations depict people, diverse in terms of race, ability, and body type, practicing gymnastics, gardening, and playing basketball. A light-skinned girl wearing a shirt reading “Aly,” presumably a stand-in for the author, features prominently.
Necessary and empowering. (author’s note) (Picture book. 3-8)Pub Date: April 2, 2024
ISBN: 9781250798107
Page Count: 40
Publisher: Henry Holt
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
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