The chronicle of a family tyrannized by a fierce father with a terrible secret—in another of Rae's appealing and intriguing family tales (Afterward, 1992; Sarah Cobb, 1990, etc.) set in old New York, here from 1812 to 1885. The ship's clock—a model of a 16th-century ship with a deckful of tiny wooden figures moving to mark the hours—was in Hamburg, Germany, in 1810, when Philip Mesner, in a rage at his dictatorial shipping-magnate father, stole it—dear as it was to his sire's iron heart. Then Philip emerges on New York shores not as Philip Mesner, ready to work in the family's shipping office, but as ``John Ferguson.'' By 1812, his fiancÇe has arrived, and ``John'' is on the way to success. Children are born and, as adults, will tell their stories. Meanwhile, through years in which Father's fortunes rise, fall and rise again, all are witness to his puzzling change of temperament. Later, his continual rage seemed to have begun the day that nice, kind Tim Ferguson came around looking for the brother who had wronged him. One after another, the children leave the house: gentle Ellen, who marries the son of Tim Ferguson; Robert, a banker; Jay, a doctor; Paul, an architect; and Annette, who marries a French artist. It is Mother who, on her deathbed, says something about the ship's clock and a curse—and certainly with the parade of city riots, deaths in the war, sickness, and Father's madness (he's given to lethal swipes with a cane), it seems there must be a curse indeed. Finally, one of Father's grandchildren, after his death, unravels the mystery. Rae's Gotham-in-transition is a stimulating yet comfortable place: an engaging, leisurely tale with a gently prickling mystery.
Pub Date: June 10, 1993
ISBN: 0-312-09386-1
Page Count: 208
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
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