An indomitable subject finds a biographer worthy of her.
Entertaining biography of Elizabeth Chudleigh (1721-1788), a maid of honor to the Princess of Wales who flaunted the patriarchal conventions of her day.
Elizabeth, writes British journalist Ostler, “used soft power and the art of public relations, before either had those names.” As “the great anti-heroine of the Georgian era,” she served many roles: “duchess, countess, courtier, socialite, hostess, mariner, property developer, celebrity, vodka distiller, press manipulator, arts patron, bigamist.” Ostler, a writer with considerable flair, evidently admires Elizabeth’s chutzpah, and she portrays the convicted bigamist as perhaps suffering from a borderline personality disorder but always refreshingly surprising and fearless. The subject of egregious misogynist portrayals by male writers after her death, Elizabeth was simply larger than life. She never let misfortune drag her down, starting from the early death of her father, Col. Thomas Chudleigh, the director of the Royal Hospital at Chelsea. His death left her and her brother bereft and lacking in marriage prospects. However, Elizabeth was never short of luck. At the age of 22, a well-connected relative recommended her for the position of maid of honor to Princess Augusta, wife of Frederick, Prince of Wales, a prestigious position that allowed her to shine and attract suitors. Her early, passionate, impetuous marriage to Augustus Hervey, the third Earl of Bristol, was kept secret, and as time passed, the two hoped the bond would somehow dissolve. Elizabeth’s subsequent long-term bond with Evelyn Pierrepont, Duke of Kingston, forced her into a court of law and, ultimately, a trial for bigamy just at the moment when the U.S. declared its independence from England. The trial, writes the author, represented the “distracted incompetence of a tired colonial power engaged in the displacement activity of persecuting an errant, aristocratic woman.” Undaunted, Elizabeth kept reinventing herself. Ably capturing her singular character, Ostler displays her deep knowledge of the era, smoothly melding history and biography.
An indomitable subject finds a biographer worthy of her.Pub Date: Nov. 9, 2021
ISBN: 978-1-982179-73-1
Page Count: 480
Publisher: Atria
Review Posted Online: Sept. 17, 2021
Kirkus Reviews Issue: Oct. 15, 2021
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.
The former iCarly star reflects on her difficult childhood.
In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.Pub Date: Aug. 9, 2022
ISBN: 978-1-982185-82-4
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 30, 2022
Kirkus Reviews Issue: July 1, 2022
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
