A tender tale of new families born of chance and the determination to bring light into darkness.
Sixteen-year-old Raymond doesn’t have any friends, so no one really understands what a kind young man he is. At least, not until his neighbor Millie Gutermann asks him a very strange question: Do you know Luis Velez?
Toggling between his divorced parents’ homes, Raymond has never felt wanted. At his mother’s apartment, he’s just an extra child his stepfather endures and his half sisters ignore. Except for baby Clarissa. She likes “Ray Ray." At his father’s posh apartment, Raymond keeps to himself, waiting to eat takeout pizza with his mostly silent father whose resentful second wife refuses to even stay home when Raymond is around. Despite his cold families, Raymond has a big heart, which so far he has opened to a stray cat hiding in the basement of an abandoned building. When he realizes that Millie, a blind 92-year-old woman, has lost the man who used to check in on her, making sure she got to the bank and grocery store, he steps up to the plate himself. Raymond also decides to track down Luis. Finding 21 Luis Velezes in the NYC phone directory, Raymond sets out to knock on doors. His quest introduces him to several Luis Velezes—some friendly and others not so much. The fate of Millie’s Luis devastates Millie, but Raymond refuses to give up on her. A master of making a heartwarming tale feel authentic and socially urgent, Hyde (Just After Midnight, 2018, etc.) deftly sketches the plights of Raymond and Millie, weighting their friendship with worries and regrets that echo as true. That authenticity often lies in the silences that Hyde lets linger when Raymond tries to process a compliment or Millie simply is present with her grief.
A tender tale of new families born of chance and the determination to bring light into darkness.Pub Date: May 21, 2019
ISBN: 978-1-5420-4236-9
Page Count: 320
Publisher: Lake Union Publishing
Review Posted Online: Feb. 27, 2019
Kirkus Reviews Issue: March 15, 2019
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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