STRAIGHT UP

Troubles multiply for a bar owner stalked by a serial killer in this mystery.

Spirited New York City bar owner Jude Dillane returns in this third outing of Stoler’s Murder on the Rocksseries. Also back: sadistic murderer Art Bevins, the New Year’s Eve Serial Killer, still at large after escaping capture in Last Call(2020)and more determined than ever to add Jude to his victim list. As if that’s not enough, Jude may lose her beloved bar, The Corner Lounge, because her partner and chef, Pete Angel, can’t take any more mayhem, and one of her friends appears to be keeping criminal company. In addition, there’s something suspicious about glamorous Dolores Castel, now living in the killer’s former apartment in Jude’s building and making a play for the protagonist’s close friend Sully, the complex’s owner. At least Jude’s boyfriend, Eric Ramirez, has returned after their breakup, occasioned by her inability to stay out of danger and leave investigating to the authorities. (Fans of the series likely identified with Eric’s frustration; Jude’s concern that her actions put others in peril and upended personal relationships seemed shallow at best.) The author has somewhat softened that dynamic in this installment, though Jude dismisses the possible consequences if the killer learns of her visit to a key figure in the case, an older stage director. She also eludes one of her FBI bodyguards to do some independent sleuthing, fully aware that the agent could lose his job if her action is discovered. But with her business, her friends’ well-being, and her life on the line, Jude’s determination to find her own answers—despite a few of her huffy but significant “I’ll do it myself” lapses—is balanced by a more realistic, if grudging, awareness that a person who is being stalked by a sadistic killer may very well need a couple of FBI agents on hand as protection. She finally decides that keeping law enforcement in the loop is a good idea. Stoler adds a high level of suspense by periodically shifting from Jude’s first-person narration to Dolores’ third-person point of view, although the twist within a twist involving this femme fatale is quite a stretch.

A relatable hero and genuine suspense make up for the less-than-credible plot points.