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RAINBOW STEW

A treat.

Vibrant multimedia collage harkens back to Falwell’s Feast for 10 (1993), this time with a homegrown feast for four in a concept book about colors rather than counting.

Three African-American children visiting their grandfather are disappointed when they awaken to a rainy day, but Grandpa doesn’t keep them cooped up indoors. Instead, they all don rain gear and go outside with baskets to harvest vegetables from a backyard garden. Subsequent pages show the family gathering first green veggies, then a veritable rainbow of yellow peppers, purple cabbage heads, rosy radishes, red tomatoes, orange carrots, purple eggplants and even brown potatoes. After romping about for a bit, they go inside, dry, off and clean up, and then Grandpa and the children cook up a pot of his famous rainbow stew. The final page of the book even offers readers a recipe to try out—an enticing possibility after reading a story that positively revels in family togetherness and good food. The typeface of key words changes color as the rhyming text carries readers through the day, reflecting the theme.

A treat. (Picture book. 2-6)

Pub Date: April 1, 2013

ISBN: 978-1-60060-847-6

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: Feb. 26, 2013

Kirkus Reviews Issue: March 15, 2013

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LOTS OF LOVE LITTLE ONE

FOREVER AND ALWAYS

So sweet it’ll have readers heading for their toothbrushes.

Another entry in the how-much-I-love-you genre.

The opening spread shows a blue elephant-and-child pair, the child atop the adult, white hearts arcing between their uplifted trunks: “You’re a gift and a blessing in every way. / I love you more each and every day.” From there, the adult elephant goes on to tell the child how they are loved more than all sorts of things, some rhyming better than others: “I love you more than all the spaghetti served in Rome, // and more than each and every dog loves her bone.” More than stars, fireflies, “all the languages spoken in the world,” “all the dancers that have ever twirled,” all the kisses ever given and miles ever driven, “all the adventures you have ahead,” and “all the peanut butter and jelly spread on bread!” Representative of all the world’s languages are “I love you” in several languages (with no pronunciation help): English, Sioux, French, German, Swahili, Spanish, Hawaiian, Chinese, and Arabic (these two last in Roman characters only). Bold colors and simple illustrations with no distracting details keep readers’ focus on the main ideas. Dashed lines give the artwork (and at least one word on every spread) the look of 2-D sewn toys.

So sweet it’ll have readers heading for their toothbrushes. (Picture book. 2-6)

Pub Date: Dec. 4, 2018

ISBN: 978-1-4926-8398-8

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Sept. 16, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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