Monumental history wrapped in a poppy whodunit; the well-employed device makes for a provocative tale readers won’t soon...


Sing What You Cannot Say

A chilling real-life back story haunts this otherwise quirky murder mystery, Raymond’s debut.

In 1942, Nazi Germany unleashed a diabolic plan to counter the whispered rumors that they were operating concentration/extermination camps. In the occupied Czechoslovakian city of Terezin, where the Nazis had already been operating a prison/concentration camp, they created the facade of a “model” Jewish city and renamed it Theresienstadt. Jewish musicians and artists, especially those with international reputations, who had been rounded up in the Nazi purges were brought to Theresienstadt. Here, the talented, starving prisoners were forced cheerfully to perform for visiting Red Cross inspectors. Veiled, however, was the fact that the city of Terezin was actually a transit center for train rides to the better known extermination camps. In her debut novel, Raymond uses modern-day protagonist Emily Thurgood, associate professor on a hectic track for tenure in the music history department at the University of Wisconsin, to reveal an extraordinary, unanticipated consequence of the Terezin deception: the creation of beautiful, inspirational music that incorporated coded messages of hope and defiance. Emily’s research into this musical legacy embroils her in the murder of the school’s music librarian, compromises her relationship with her boyfriend, Brian, and exposes her to the questionable intentions of exciting new classical composer Henry Cramer. Emily may be a bit too work-obsessed for some readers, and the plot sometimes feels too contrived. But all can be forgiven because Raymond has done readers a real service by bringing to the forefront an oft-overlooked chapter of the Holocaust. Though she appears directly in only a few intermittent pages, the secondary heroine, young Theresienstadt detainee Anna Katz, is perhaps the narrative’s most viscerally drawn character. The complicated coding method embedded into Anna’s compositions will not be easily understood by those who haven’t studied music, but the general concept rings clear.

Monumental history wrapped in a poppy whodunit; the well-employed device makes for a provocative tale readers won’t soon forget. 

Pub Date: June 19, 2015

ISBN: 978-1-4917-6405-3

Page Count: 156

Publisher: iUniverse

Review Posted Online: Sept. 11, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Child builds tension to unbearable extremes, then blows it out in sharply choreographed violence, even if his plot has more...


From the Jack Reacher series , Vol. 5

Smashingly suspenseful fifth in Child’s series (Running Blind, 2000, etc.) lands this British author’s rootless, laconic action hero in southwest Texas, where a femme fatale lures him into a family squabble that inevitably turns violent.

In the kind of daylight-noir setting that Jim Thompson loved, ex-military cop Jack Reacher has his thumb out on a lonely west Texas highway when he’s picked up by Carmine Greer, the Mexican-American wife of bad-ol’-boy Sloop Greer. It seems that Sloop, elder son of a white-trash-turned-oil-rich ranching dynasty, is nearing the end of a prison term for tax evasion, and Carmine, whose body Reacher sees is marked with signs of physical abuse, wants Reacher to be her bodyguard—or, failing that, kill the man in such a way that Carmine can still hold on to her terminally cute six-year-old daughter Ellie. Reacher refuses but decides to meet the folks: Rusty, Sloop’s racist, charmless mother, and Bobby, Sloop’s stupid, pugnacious brother. Meanwhile, a trio of paid assassins is littering the Texas roadside with corpses, starting with Sloop’s lawyer, Al Eugene. In a set-piece as good as anything in Elmore Leonard, Bobby sends two ranch-hands to ambush Reacher at an Abilene roadhouse filled with 20 other cowboys spoiling for a fight. Reacher walks away without a scratch, telling Bobby that his hospitalized ranch-hands have “quit.” Child twists his increasingly hokey plot into a pretzel when Sloop is found dead and Carmine confesses to killing him. Reacher just can’t believe that Carmine is guilty and teams up with Alice Aarons, a leggy Jewish lesbian fresh out of law school, who trusts him with her car, her handgun, and her life.

Child builds tension to unbearable extremes, then blows it out in sharply choreographed violence, even if his plot has more holes in it than the shirt Reacher uses for target practice.

Pub Date: July 1, 2001

ISBN: 0-399-14726-8

Page Count: 368

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2001

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