A well-written novel with a relatable main character, Worthington’s story overcomes flat supporting characters to be an...

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WATCH OVER THY CHILD

A young girl witnesses a crime at her small-town church in the 1950s, and the fallout swells to envelop the entire town.

In Worthington’s debut novel, 8-year-old Ruth Anne Carver grows up quickly after witnessing the molestation of a young boy at her church. Set in a small Missouri town, the novel briefly introduces Ruth Anne’s insular and innocent world of Episcopal church picnics, neighborhood playmates and choir practice, before she witnesses the crime and loses faith in her church and town. Ruth Anne does not immediately understand the implications of what she saw, but recognizes that it shouldn’t have happened. Ruth Anne keeps the crime a secret until a shocking murder rocks the town. She’s forced to testify about what she witnessed, and her honest testimony turns her family into outsiders. The premise isn’t especially original, but Worthington’s decision to tell the story from Ruth Anne’s perspective is smart. She captures Ruth Anne’s voice well and gives her a believable naïveté that fuels the plot and gives the reader hints to understand what’s going on even when Ruth Anne herself doesn’t. Ruth Anne’s best friend, worldly troublemaker Bobby Jo, provides an effective foil and helps give Ruth Anne depth. Other characters don’t fare as well—Ruth Anne’s siblings just seem there to fill space and the church officials affected by the crime don’t feel fully formed. While this could be the result of a young narrator, greater complexity and an understanding of characters’ motives would be welcome. Perhaps the strongest character is the setting; the small town of Athens is so richly drawn, with its gossipy housewives and working fathers, that it’s easy to imagine being there, looking over Ruth Anne’s shoulder as her safe world collapses around her.

A well-written novel with a relatable main character, Worthington’s story overcomes flat supporting characters to be an engrossing page-turner.

Pub Date: Jan. 1, 2006

ISBN: 978-1440478451

Page Count: 316

Publisher: CreateSpace

Review Posted Online: Feb. 20, 2012

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This is fast-paced, nonstop fun. Cussler fans will gobble it up.

JOURNEY OF THE PHARAOHS

Rumors of lost Egyptian treasure spark high adventure in this 17th in the NUMA series featuring oceanographer Kurt Austin and his crew (Sea of Greed, 2018, etc.).

Over 3,000 years ago, grave robbers sail away with loot from a pharaoh’s tomb. In 1927, Jake Melbourne and his plane disappear in his attempt at a trans-Atlantic flight. In the present day, arms merchants known as the Bloodstone Group have taken to stealing antiquities. They are looking for a “treasure both vast and glorious” that hieroglyphics say was shipped down the Nile and out of Egypt, perhaps even west across the Atlantic. (Holy scurvy! That must’ve been a lot of hard rowing!) The criminals are known to MI5 as “very dangerous people" and "merchants selling death.” Perfectly willing to kill everyone in their way, they are aided by mechanical crows and Fydor and Xandra, nasty sibling assassins jointly called the Toymaker. Such are the foes faced by Austin and his team from the National Underwater and Marine Agency. Of course, Austin has no interest in profit; he will gladly leave the ancient riches wherever they are. Action arrives early and often, and the failed pre-Lindbergh flight fits in neatly. Cussler and Brown concoct a nifty plot with disparate, sometimes over-the-top twists that will make even hardcore adventure fans say “Wow!” Expect claustrophobic gunfights, aerial combat, a life-threatening flood, messages from the dead, coffins of gold—and a vintage classic car, because why not? “We’re going to steal the greatest deposit of Egyptian treasure the world has ever known,” brags the evil mastermind. But he’ll have to climb over the series hero’s dead body first, which—no plot spoiler here—ain’t gonna happen.

This is fast-paced, nonstop fun. Cussler fans will gobble it up.

Pub Date: March 10, 2020

ISBN: 978-0-593-08308-6

Page Count: 432

Publisher: Putnam

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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