A compendium of unusual characters and odd circumstances guaranteed to make you laugh out loud.
McPherson continues her hilarious series starring a canny Scot struggling to understand America.
Once upon a time, Dundee-born Lexy Campbell was living the California dream with her hunky dentist husband. Now she’s divorced, living in a down-market houseboat, and struggling to build her counseling practice. Her phobic, zany, wannabe detective friends are determined to find her a new and better man. But when her ex, Branston Lancer, begs her to track down his kidnapped second wife, Brandee, after reading about how well Lexy, anesthesiologist Todd, and laundromat owner Kathi, with help as needed from other friends also living at the Last Ditch Motel, have done solving crimes, she reluctantly consents. While Lexy and her pals ponder the ransom note Branston’s received, which is just like the ones sent by whomever's been stealing local statues and parts thereof, Brandee’s son, Blaike, escapes from a boot camp in Idaho to discover that his trust fund is missing and the father he thought dead is very much alive. As for Brandee, she’d been acting out of character lately and may be involved with a patriarchal cult. Could she be on the lam with Blaike’s money, or worse yet dead? The sleuths carom from one crazy situation to another in their search for Brandee and those missing statues.
A compendium of unusual characters and odd circumstances guaranteed to make you laugh out loud.Pub Date: Feb. 2, 2021
ISBN: 978-0-7278-9031-3
Page Count: 240
Publisher: Severn House
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
It's hard to read but hard to look away from.
When two women who share a birthday meet, a journalist becomes the subject of her own true-crime mystery.
On their 45th birthdays, Josie Fair and Alix Summer meet at a pub and discover they were born not only on the same day, but in the same hospital. Alix is a successful journalist, and Josie convinces Alix that her story is worth telling: Josie met her husband when she was 13 and he was 40. “I can see that maybe I was being used, that maybe I was even being groomed?” she confesses to Alix. “But that feeling of being powerful, right at the start, when I was still in control. I miss that sometimes. I really do. And what I’d like, more than anything, is to get it back.” From this premise Alix creates a Netflix series, Hi! I’m Your Birthday Twin! which investigates Josie’s life as she reconciles what happened to her as a teen and seeks a new path. With the story unfinished, the narrative unfolds in the present tense, with prose that jingles like song lyrics: “He turns to see if the girl is behind him, and sees her wishy-washy, wavy-wavy, in double vision through the glass windows of the hotel.” Alix is both intrigued and repulsed by Josie, but she initially gives her the benefit of the doubt. After all, Alix’s husband, Nathan, has a drinking problem, and Alix knows what it’s like to be reluctant to leave a bad situation. But Josie seems more interested in being part of Alix’s seemingly glamorous life than she is in fixing her own, and when three people end up dead and Alix’s life is turned upside down, the evidence points to Josie—and turns the TV series into a murder mystery. Transcripts from Alix’s interviews alternate with the narrative, offering increasingly varied perspectives on Josie’s story as told by her neighbors, friends, and family members. With so many versions of events, the ending shatters, leaving readers to decide whose is the truth.
It's hard to read but hard to look away from.Pub Date: Aug. 8, 2023
ISBN: 9781982179007
Page Count: 384
Publisher: Atria
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
A vivid, exciting page-turner from one of our most interesting authors of historical fiction.
When a man accused of rape turns up dead, an Early American town seeks justice amid rumors and controversy.
Lawhon’s fifth work of historical fiction is inspired by the true story and diaries of midwife Martha Ballard of Hallowell, Maine, a character she brings to life brilliantly here. As Martha tells her patient in an opening chapter set in 1789, “You need not fear….In all my years attending women in childbirth, I have never lost a mother.” This track record grows in numerous compelling scenes of labor and delivery, particularly one in which Martha has to clean up after the mistakes of a pompous doctor educated at Harvard, one of her nemeses in a town that roils with gossip and disrespect for women’s abilities. Supposedly, the only time a midwife can testify in court is regarding paternity when a woman gives birth out of wedlock—but Martha also takes the witness stand in the rape case against a dead man named Joshua Burgess and his living friend Col. Joseph North, whose role as judge in local court proceedings has made the victim, Rebecca Foster, reluctant to make her complaint public. Further complications are numerous: North has control over the Ballard family's lease on their property; Rebecca is carrying the child of one of her rapists; Martha’s son was seen fighting with Joshua Burgess on the day of his death. Lawhon weaves all this into a richly satisfying drama that moves suspensefully between childbed, courtroom, and the banks of the Kennebec River. The undimmed romance between 40-something Martha and her husband, Ephraim, adds a racy flair to the proceedings. Knowing how rare the quality of their relationship is sharpens the intensity of Martha’s gaze as she watches the romantic lives of her grown children unfold. As she did with Nancy Wake in Code Name Hélène (2020), Lawhon creates a stirring portrait of a real-life heroine and, as in all her books, includes an endnote with detailed background.
A vivid, exciting page-turner from one of our most interesting authors of historical fiction.Pub Date: Dec. 5, 2023
ISBN: 9780385546874
Page Count: 448
Publisher: Doubleday
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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