A formulaic, quick (if hefty) romance that creates believable suspense as Alera determines whether her allegiance is to her...
A teen romance that delivers a softer, more innocent love story than the publisher's well-known adult tomes.
The second book in the Legacy Trilogy, this text quickly introduces the forbidden love between Hytanica’s newly crowned Queen Alera and Narian of Cokyri, which took root in the previous volume. Two major factors complicate this teenage love affair: Alera is married to King Steldor, and Narian has been forced to serve the Overlord of Cokyri, Hytanica’s enemy. This background sets the stage for Alera’s struggle with her role as queen and wife, which includes her lack of affection for her appointed husband and distaste for how women are unfairly treated, especially with regard to domestic violence. Alera’s attitudes may make sense to the modern reader, but they sharply contrast with the narrative’s medieval tone. Readers would benefit from reading series opener Legacy (2011) to understand the history of these two warring nations, Alera and Narian’s relationship and the mystical powers of Cokyri’s evil Overlord. Without this, many of the characters and their relationships to Alera blend easily and feel ill-formed.
A formulaic, quick (if hefty) romance that creates believable suspense as Alera determines whether her allegiance is to her lover or kingdom. (Romance. 16-18)Pub Date: March 1, 2012
ISBN: 978-0-373-21043-5
Page Count: 496
Publisher: Harlequin Teen
Review Posted Online: Jan. 3, 2012
Kirkus Reviews Issue: Jan. 15, 2012
Much like building a bridge stone by stone, this read requires painstaking effort and patience.
Years after the death of their mother, the fourth son in an Australian family of five boys reconnects with his estranged father.
Matthew Dunbar dug up the old TW, the typewriter his father buried (along with a dog and a snake) in the backyard of his childhood home. He searched for it in order to tell the story of the family’s past, a story about his mother, who escaped from Eastern Europe before the fall of the Berlin Wall; about his father, who abandoned them all after their mother’s death; about his brother Clay, who built a bridge to reunite their family; and about a mule named Achilles. Zusak (The Book Thief, 2006, etc.) weaves a complex narrative winding through flashbacks. His prose is thick with metaphor and heavy with allusions to Homer’s epics. The story romanticizes Matthew and his brothers’ often violent and sometimes homophobic expressions of their cisgender, heterosexual masculinity with reflections unsettlingly reminiscent of a “boys will be boys” attitude. Women in the book primarily play the roles of love interests, mothers, or (in the case of their neighbor) someone to marvel at the Dunbar boys and give them jars to open. The characters are all presumably white.
Much like building a bridge stone by stone, this read requires painstaking effort and patience. (Fiction. 16-adult)Pub Date: Oct. 9, 2018
ISBN: 978-1-984830-15-9
Page Count: 544
Publisher: Knopf
Review Posted Online: Aug. 5, 2018
Kirkus Reviews Issue: Aug. 15, 2018
By far, the fastest and funniest of the series.
The final installment of Thomas’ gross-out Quarantine series.
Will has escaped the school and reunited with his brother, David. After a short, solitary quarantine, Will’s pronounced virus-free and brought into the parent-run operation that feeds and protects the school. Back inside the school, Lucy’s clique, the Sluts, blames her for the disastrous fight between the Sluts and Saints. They kick her out, and once again, the plot centers on the difficulties faced by a character who is clique-less, at the social ladder’s bottom rung. Lucy’s complication, however, is an unplanned pregnancy. When word about Lucy’s hardships comes to Will and David, Will sneaks back in to rescue her, equipped with a gas mask whose filter is nearly used up. David chases after to save him from the virus, and the love triangle is re-established. Their race against clogged filters keeps the plot moving quickly. Meanwhile, Lucy’s found a new clique, the Burnouts. Seeking a renewable drug source, Burnouts ferment their own waste to get high on the fumes and masturbate. So shocking it’s funny, poop’s refreshing for readers numbed by the edgy-for-the-sake-of-edgy previous violence and rampant prostitution. Meanwhile, David’s ex, Hilary (a cardboard evil-lunatic villain), finds a gun. The ending, of course, offers enough death to appease the fan base.
By far, the fastest and funniest of the series. (Science fiction. 16-18)Pub Date: July 22, 2014
ISBN: 978-1-60684-338-3
Page Count: 272
Publisher: Egmont USA
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
