Heartwarming but unpolished.

THE FAIRIES IN THE CLOUDS

A chapter book about a young fairy’s adventures between two worlds.

Rauscher (Matchmaking Fairies, 2011), in a thin but ambitious paperback, introduces her audience—pre- and early readers—to Pixie, a fairy living in the clouds, who falls to Earth and is taken in by the Dixons, a ranching family in a small town. The book follows Pixie, whose duties include “fluffing the clouds” of her floating kingdom. Pixie, while supervised by the fairy Cloud Master, spends most of her time singing in a soft, tinkling voice and playing and wandering, from her first befuddling steps on Earth to a full life away from the clouds. After repeated clandestine trips to visit the Dixon family, Pixie’s magical qualities begin to fade. The Cloud Master tells her that she may choose either to remain a fairy of the clouds or lead a human life—with a little extra fairy dust for emergencies. Pixie charms the Dixons with her beauty, her endearing curiosity about animals and her puzzling affinity for chores. The simple depiction of childhood scenes—and the absence of over-intellectualizing or moralizing—adds a warm lightness to the tale. However, the author often errs on the side of simplicity, failing to provide sufficient vibrancy to characters and details to the worlds (above and below) that she paints. The book’s five sweet but unremarkable illustrations may not be sufficient fillers for younger readers, and the “Questions to ask in preparation for the next chapter” give away too much. Stronger editing would improve the text.

Heartwarming but unpolished.

Pub Date: Dec. 5, 2008

ISBN: 978-1434351531

Page Count: 68

Publisher: AuthorHouse

Review Posted Online: March 6, 2013

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Lots of buzz after a seven-year hiatus, but even die-hard Outlander fans might need more action.

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GO TELL THE BEES THAT I AM GONE

The ninth book in Gabaldon’s Outlander series finds the Fraser family reunited in the midst of the American Revolution.

It’s 1779, and Claire and Jamie Fraser have found each other across time and space and are living peacefully in the American Colony of North Carolina. This novel opens with the mysterious return to Fraser’s Ridge of their daughter, Brianna, her husband, Roger, and their children. In a previous book, Brianna’s family time-traveled to 20th-century America and planned to stay there permanently. It’s clear that Jamie and the others expect the troubles the family faced in the future will follow them to the past; unfortunately, after their return, the book pauses for several hundred pages of exposition. Gabaldon reintroduces characters, summarizes past events and tragedies, and introduces new characters. The text features not one but two family trees (the one in the back is updated to include the events of the book), and readers will need both to keep track of all the characters and relationships. The Outlander series has always been concerned with themes of time and place, and this novel contains intricate details and descriptions of daily life in Colonial America, clearly the result of countless hours of research. But Claire and Jamie have always been the major draw for readers. Now that they are grandparents, their love story is less epic and more tender, exploring the process of aging, the joys of family, and the longing for community and home. The last third is more plot-driven and action-packed, but the cliffhanger ending might leave readers feeling as if the book is just filler for the promised 10th installment.

Lots of buzz after a seven-year hiatus, but even die-hard Outlander fans might need more action.

Pub Date: Nov. 23, 2021

ISBN: 978-1-101-88568-0

Page Count: 928

Publisher: Delacorte

Review Posted Online: Dec. 24, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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