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COMING UP DOWN SOUTH

MEMOIR OF A SOUTHERN CHILDHOOD

Brown's fiction (The Life and Loves of Mr. Jiveass Nigger, 1970; Days Without Weather, 1982) has starred uprooted black men in Copenhagen and southern California. Here, in a memoir of his own roots in North Carolina, the author employs a simple storytelling style in which, from the child's naive perspective, some formative events appear quite poignant. Young ``Morris'' (Brown's name for himself) is born during WW II and, with his brother, is raised by Aunt Amanda and Uncle Lofton because the boys' real father, Cuffy, is living in a ``house in the mountains''—actually, a Virginia prison—and their real mother can't be tied down. Amanda is the black rural version of 1950's motherly perfection: cooking, cleaning, washing, baking the best pies, and always in loving good humor—although a typical day for her also includes picking cotton all day for cash, coming home to sort tobacco leaves, and cooking at the white folks' club at night after feeding her own family. Railroad worker Lofton encourages the boys to do well in school and provides a role model, but Morris sometimes wants to be a bad man like his father, whom he imagines is as legendary as the Stagolee of song fame. When Cuffy's finally released from prison, he claims his sons and imposes a life of discipline, farming, no future, and no books—though Morris does enjoy plowing with the mule, and Cuffy will come through in a surprising way for his son before the story ends. A sometimes familiar odyssey—down south, there are railroads, racism, and revivals, while during a New York summer, Morris learns more about jazz, junkies, and white women—but particularized and engaging in the telling.

Pub Date: July 4, 1993

ISBN: 0-88001-293-5

Page Count: 222

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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