by Cecile Pineda ‧ RELEASE DATE: Nov. 1, 2016
An odd, disjointed memoir/guidebook about writing.
What is introduced as a writing guide becomes something very different in its execution.
As a novelist, creative writing teacher, and founder and director of an experimental theater, Pineda (Apology to a Whale: Words to Mend a World, 2015, etc.) has a variety of perspectives on the process through which a creative impulse becomes a published work. Her introduction to this book suggests that it is “designed to offer a pathway…you the writers are invited to follow.” Yet the connections among the three different sections that follow are personal, elusive, and tenuous, offering only the vaguest relation to the three stages of writing (emptying, gathering, making something) she introduces. The first section offers her “process memoir of the years 2002-2007,” when she was often traveling in Europe, reuniting with old friends, becoming increasingly enraged by America’s military engagement under George W. Bush and what she viewed as his administration’s criminal neglect of post-Katrina New Orleans. “Tucked away in my backpack, the passport I carry reads the United States,” she writes, “but it’s the passport of a country I no longer recognize.” In the second section, Pineda delves into oral histories of Katrina survivors. “I have listened now to enough folks to recognize that this event is a story that must be told,” she writes. “And told in the voices of the folks whose lives have been forever changed by it.” Those voices could fill a book, and they have filled many—but not this one. The last section is an unusual play dominated by monologues about Japanese villagers whose village has disappeared. “The play presents the reasons for their displacement,” writes Pineda after explaining how the work was initially a novel, before “it decide[d] it want[ed] to become…a work for theater.” Though it has some connection to the author’s own displacement in the first part and to the oral histories of displacement from New Orleans in the second, it mainly confirms that the ways of this particular writer are mysterious indeed.
An odd, disjointed memoir/guidebook about writing.Pub Date: Nov. 1, 2016
ISBN: 978-0-930324-92-6
Page Count: 272
Publisher: Wings Press
Review Posted Online: Oct. 4, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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BOOK REVIEW
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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by Jon Krakauer
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by Jon Krakauer
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by Jon Krakauer
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SEEN & HEARD
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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