Fortified by vibrant characters and a tenacious plot; it packs a mean punch when readers least expect it.
A hike on the Inca Trail to Machu Picchu leads a group of Ivy League women into the crux of deceit and debauchery in Velástegui’s novel.
Taki and Koyam, street vendors in the Plaza de Armas in Cusco, Peru, overhear several ladies talking about a tour group. The two elderly locals are worried when they mention their prospective guide, Rodrigo, who’s notorious for his reputed involvement in child trafficking and hasn’t shown his face in Cusco in two years. Taki, who has psychiclike visions, and Koyam trail the group as the women trek to meet up with Rodrigo, while revenge-seeking Violette, who once accused the corrupt man of sacrificing her baby, also shadows the hikers. The novel (Traces of Bliss, 2012, etc.) brims with historical facts, including recurrent allusions to Hiram Bingham, the explorer who claimed to have discovered Machu Picchu in 1911. Some of these passages, like specifics on mallquis (mummified remains used in worship), slow the novel’s tempo a bit. Still, they serve a narrative purpose and occur less frequently in the more intense second half, when Rodrigo’s plan comes to light. The five women of the group, all with hopes of overcoming the perils of online dating, are each given memorable personalities, including the dense but resilient Tiffany, who drives home points with “duh-uh.” The evolutions of the individual women provide some of the book’s pluses—their mutual dislike of one another is indisputable, but they gradually come to friendly terms during their ordeal. Rodrigo is an intimidating bad guy, complete with minions who do his bidding and a god complex; he quite literally believes he’s Illapa, the god of thunder. The novel does have comic relief, mostly in the form of Sandra, whose accented English is phonetically rendered. She insists that others pronounce her name “Zahndrah,” and she spends much of her time not spending money and even demanding a refund when she hasn’t paid anything at all. There’s also a considerable narrative bite—some characters end up battered and bloody, and others may not make it out alive.
Fortified by vibrant characters and a tenacious plot; it packs a mean punch when readers least expect it.Pub Date: Sept. 4, 2013
ISBN: 978-0-9851769-4-5
Page Count: 344
Publisher: Libros
Review Posted Online: Dec. 10, 2012
Kirkus Reviews Issue: Feb. 15, 2013
Review Program: Kirkus Indie
Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.
The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.
When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”
Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.Pub Date: April 9, 2024
ISBN: 9781668010440
Page Count: 368
Publisher: Marysue Rucci Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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