Using insets to identify the wildlife in her well-populated woodland scenes, Godkin portrays a North American boreal forest’s destruction and recovery from a fire caused by lightning. Though that recovery comes on with deceptive quickness—from charred wasteland to verdant meadow in two turns of the page, and back to thick stands of tall trees in two more—the various stages, as well as the affected flora and fauna, are rendered with decent accuracy, and recapped for reinforcement on closing spreads. A good choice for collections needing a replacement or supplement for the likes of Laurence P. Pringle’s Fire in the Forest: A Cycle of Growth and Renewal (1995). (Picture book/nonfiction. 6-8)
Pub Date: July 1, 2006
ISBN: 1-55041-889-0
Page Count: 40
Publisher: Fitzhenry & Whiteside
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 2006
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...
A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.
Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)Pub Date: April 11, 2017
ISBN: 978-1-5107-2083-1
Page Count: 40
Publisher: Sky Pony Press
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK REVIEW
This second early biography of Cousteau in a year echoes Jennifer Berne’s Manfish: A Story of Jacques Cousteau (2008), illustrated by Eric Puybaret, in offering visuals that are more fanciful than informational, but also complements it with a focus less on the early life of the explorer and eco-activist than on his later inventions and achievements. In full-bleed scenes that are often segmented and kaleidoscopic, Yaccarino sets his hook-nosed subject amid shoals of Impressionistic fish and other marine images, rendered in multiple layers of thinly applied, imaginatively colored paint. His customarily sharp, geometric lines take on the wavy translucence of undersea shapes with a little bit of help from the airbrush. Along with tracing Cousteau’s undersea career from his first, life-changing, pair of goggles and the later aqualung to his minisub Sea Flea, the author pays tribute to his revolutionary film and TV work, and his later efforts to call attention to the effects of pollution. Cousteau’s enduring fascination with the sea comes through clearly, and can’t help sparking similar feelings in readers. (chronology, source list) (Picture book/biography. 6-8)
Pub Date: March 24, 2009
ISBN: 978-0-375-85573-3
Page Count: 40
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2009
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