by Charlie Love ‧ RELEASE DATE: N/A
A gripping historical romance/thriller with an informed political bent.
Greed, treachery, and unexpected kindness surround a power struggle over an early 20th-century gold mine in this debut novel.
Sadie Rose Wheeler believes her parents died in the San Francisco earthquake of 1906. But then she receives a letter informing her that the millionaire Henry Crabtree, who has died, named her as his daughter and heir to the Crabtree Mine in Goldfield, Nevada. Like the parents who adopted her, Henry and his wife were a white-Chinese pairing. Sadie appears white but has uniquely shaped green eyes. Her ethnicity is not the only thing people try to guess about her as the young woman stubbornly manages her newly acquired gold mine alone, paying her workers in real dollars instead of scrip; supervising the dirty, dangerous operations herself; and caring about the men—in contrast to the other gold barons, who are trying to suppress another labor riot. Henry’s jealous wife, Parthena, wants the mine and employs union agitator James McKenna first to convince, then to force Sadie to sign over the land. Sadie—facing off against Parthena, McKenna, union-busting sexist capitalists, and her shady suitor, Pierce Langston—finds unexpected help in the form of a handsome opium addict named Nick Cain. Double-dealing and murder swirl around Sadie as she mourns the death of her infant son and seeks the truth about her unnamed mother, who came to America seeking the “Gum Shan”—the gold mountain—which may turn out to be something more than just where the precious metal can be found. Though fast-moving and with an economy of description, Love’s novel evokes the danger and adventure of this clash of the Wild West and Eastern radicalism in beautiful, cinematic language that is at times reminiscent of James Dickey. (“Blue moonlight colored the whole world in loneliness”; “She peeked through her arm” at McKenna, “as if stealing a look from a familiar hiding place.”) The main characters, including villains Parthena and McKenna, are complex, with a heart lurking somewhere, while Sadie and especially Nick have their flaws. It is rather like The Grapes of Wrath meets On the Waterfront. The author researched the era’s history to use correct terminology—scrip; prostitutes’ cribs. And he spices the dialogue with a phonetic vernacular that enhances the characters without becoming distracting. The mix of humor, sarcasm, and menace among the miners and the owners, juxtaposed with tender moments between Nick and Sadie, is at turns riotously funny and heartwarming, making this a gratifying page-turner. Unfortunately, there seems to be a rush toward the conclusion, as if Love became exhausted. The evocative descriptions drop away, leaving blocks of dialogue with screenplay terms (“[silence]”). Nick’s last, fateful decision is not sufficiently developed, causing the final chapter to abruptly descend like a curtain. There are also some distracting misspellings (“light shinning”; “fill out of his chair”) and punctuation errors (“Ghosts won’t hurt you, “Nick said) that need tweaking.
A gripping historical romance/thriller with an informed political bent.Pub Date: N/A
ISBN: N/A
Page Count: 377
Publisher: BookBaby
Review Posted Online: July 19, 2018
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Colleen Hoover ‧ RELEASE DATE: Aug. 2, 2016
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
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IndieBound Bestseller
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
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SEEN & HEARD
SEEN & HEARD
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