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THE SECOND CORTEZ

A satisfying, involving, and well-paced story that effectively blends action and redemption.

An apolitical English professor vows vengeance against the Mexican drug cartel that has infiltrated his hometown in this novel.

The cartel Segundo Cortez is escalating its reign of terror in the Mexican city of Veracruz. Its soldiers roam the streets hassling citizens with impunity. They have bribed policemen and become more brazen in their violence. But 32-year-old university professor Nicolás Nolano has elected to “keep out of all that business” and just “concentrate on my profession.” His mother; his brother, Esteban, a district attorney; and a local priest, meanwhile, are very public activists against the cartel. Esteban has recently filed suit against the cartel’s leader, Arturo Méndez. Nicolás insists that they would be better off keeping a low profile. “Laying low and biding your time is not how change is won in the world,” the priest counters. Nicolás’ warning that they are all setting themselves up “for tragedy” inevitably comes true, and he is alerted that he will be next. Though “merely a professor,” the radicalized Nicolás flees to America, where he plans to acquire weapons and training and then return “to strike at Segundo Cortez.” Wall (Water Lessons, 2014) has fashioned a fast-moving, immensely readable payback story. But Nicolás’ transformation might have carried more dramatic weight if on Page 2 he didn’t come to the rescue of a former student being hassled by Cortez thugs or soon after take heroic action to transport another young cartel victim to the hospital. Some dialogue is heavy-handed, as this exchange between Esteban and his brother: “Me, the idealistic attorney. You, the cynical literature professor. Damn, just like when we were boys. You always off in your bedroom, in your own universe, your nose in a book, dreaming. While I was out living. Making dreams into reality.” Ivan Méndez, an increasingly unstable successor to his father (and a former friend of Nicolás), is straight out of central casting. More nuanced is Hector Pantano, the compromised police chief, who has enabled the cartel but is suffering a crisis of conscience.

A satisfying, involving, and well-paced story that effectively blends action and redemption.

Pub Date: June 18, 2018

ISBN: 978-1-938749-44-5

Page Count: 360

Publisher: Enchanted Indie Press

Review Posted Online: July 31, 2018

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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