A simply told, yet inspirational memoir about the reign of the Khmer Rouge that helps to shed light on the plight of the...

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WHEN BROKEN GLASS FLOATS

GROWING UP UNDER THE KHMER ROUGE

A worthy and compelling debut by Him, a survivor of the brutal regime of the Khmer Rouge.

In 1975 the Khmer Rouge gained power in Cambodia, leaving a wake of destruction and terror in their path. In this graphic memoir, told from a child's perspective, Him vividly recounts her memories of the war, which began when she was a child of four. Separated and forced into labor camps, death and illness became constant companions to the Him family—of the 12 of them, only 5 survived. Yet, throughout her struggles and losses, Him's enduring hope, strength, and family loyalty gave her the courage to carry on. Sponsored by an uncle in Oregon, Him and her siblings were finally able to escape Cambodia in 1981 after years of torture and neglect. They have attempted to build new lives but even to this day they are continuously haunted by their tragic memories. “I have been reincarnated with a new body, but an old soul. It lives symbiotically inside of me,” Him says in her introduction. Him is just one of the thousands of Cambodian refugees who feel this way. Since 1989, the author has been involved as a researcher on the Khmer Adolescent Project, a federally-funded study of post-traumatic stress disorder among young Cambodian refugees. It was their stories (as well as her own) echoing in Him’s mind that brought her to write this story. Her memoir seems to be both an attempt to face her own circumstances as well as to open the past and avenge the victims of the Khmer Rouge.

A simply told, yet inspirational memoir about the reign of the Khmer Rouge that helps to shed light on the plight of the Cambodian people. (photos)

Pub Date: April 17, 2000

ISBN: 0-393-04863-2

Page Count: 330

Publisher: Norton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2000

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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Finely honed biographical intuition and a novelist’s sensibility make for a stylish, engrossing narrative.

THE MAN IN THE RED COAT

A fresh, urbane history of the dramatic and melodramatic belle epoque.

When Barnes (The Only Story, 2018, etc.), winner of the Man Booker Prize and many other literary awards, first saw John Singer Sargent’s striking portrait of Dr. Samuel Pozzi—handsome, “virile, yet slender,” dressed in a sumptuous scarlet coat—he was intrigued by a figure he had not yet encountered in his readings about 19th-century France. The wall label revealed that Pozzi was a gynecologist; a magazine article called him “not only the father of French gynecology, but also a confirmed sex addict who routinely attempted to seduce his female patients.” The paradox of healer and exploiter posed an alluring mystery that Barnes was eager to investigate. Pozzi, he discovered, succeeded in his amorous affairs as much as in his acclaimed career. “I have never met a man as seductive as Pozzi,” the arrogant Count Robert de Montesquiou recalled; Pozzi was a “man of rare good sense and rare good taste,” “filled with knowledge and purpose” as well as “grace and charm.” The author’s portrait, as admiring as Sargent’s, depicts a “hospitable, generous” man, “rich by marriage, clubbable, inquisitive, cultured and well travelled,” and brilliant. The cosmopolitan Pozzi, his supercilious friend Montesquiou, and “gentle, whimsical” Edmond de Polignac are central characters in Barnes’ irreverent, gossipy, sparkling history of the belle epoque, “a time of vast wealth for the wealthy, of social power for the aristocracy, of uncontrolled and intricate snobbery, of headlong colonial ambition, of artistic patronage, and of duels whose scale of violence often reflected personal irascibility more than offended honor.” Dueling, writes the author, “was not just the highest form of sport, it also required the highest form of manliness.” Barnes peoples his history with a spirited cast of characters, including Sargent and Whistler, Oscar Wilde and Sarah Bernhardt (who adored Pozzi), Henry James and Proust, Pozzi’s diarist daughter, Catherine, and unhappy wife, Therese, and scores more.

Finely honed biographical intuition and a novelist’s sensibility make for a stylish, engrossing narrative.

Pub Date: Feb. 18, 2020

ISBN: 978-0-525-65877-1

Page Count: 288

Publisher: Knopf

Review Posted Online: Nov. 18, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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