by Charise Mericle Harper ; illustrated by Charise Mericle Harper ‧ RELEASE DATE: Dec. 9, 2014
This proactive princess will captivate readers with her charmingly unconventional tale.
When her Prince Charming fails to materialize, Princess Patty takes matters into her own hands.
Weary waiting for her prince to come, Princess Patty dons her “favorite comfy shoes” and “super-sparkly knapsack” and begins the quest to find her prince. She rejects a prince who offers a glass slipper and tries to yank off her shoe. She rejects a foolish prince who thinks he’s fighting dragons by snaring dragonflies in a net. She’s not interested in a prince who wants to wake her with a kiss, as she’s already awake, and he has chapped lips. She avoids a prince stashing peas under a stack of mattresses and opts not to kiss a potential frog prince. Even the fairy godmother she meets is too confused to help her. Discouraged by the pool of princes, Princess Patty returns to her castle, where she finally finds her perfect match. Simple, childlike illustrations rely on pastel hues, precise lines and decorative patterns to create a fairy-tale innocence, tracking Princess Patty’s quest across a landscape of stylized castles, hills, flowers and trees. Wearing high-top sneakers, a flowered tunic and sparkly backpack, Princess Patty resembles a savvy contemporary girl who knows what she wants far better than the traditional fairy-tale princess.
This proactive princess will captivate readers with her charmingly unconventional tale. (Picture book. 3-5)Pub Date: Dec. 9, 2014
ISBN: 978-142310804-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Sept. 13, 2014
Kirkus Reviews Issue: Oct. 1, 2014
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More by Charise Mericle Harper
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by Charise Mericle Harper ; illustrated by Charise Mericle Harper
BOOK REVIEW
by Charise Mericle Harper ; illustrated by Charise Mericle Harper
BOOK REVIEW
by Charise Mericle Harper ; illustrated by Charise Mericle Harper
by Savannah Guthrie & Allison Oppenheim ; illustrated by Eva Byrne ‧ RELEASE DATE: Sept. 12, 2017
Skip it
This book wants to be feminist.
Princess Penelope Pineapple, illustrated as a white girl with dark hair and eyes, is the Amelia Bloomer of the Pineapple Kingdom. She has dresses, but she prefers to wear pants as she engages in myriad activities ranging from yoga to gardening, from piloting a plane to hosting a science fair. When it’s time for the Pineapple Ball, she imagines wearing a sparkly pants outfit, but she worries about Grand Lady Busyboots’ disapproval: “ ‘Pants have no place on a lady!’ she’d say. / ‘That’s how it has been, and that’s how it shall stay.’ ” In a moment of seeming dissonance between the text and art, Penny seems to resolve to wear pants, but then she shows up to the ball in a gown. This apparent contradiction is resolved when the family cat, Miss Fussywiggles, falls from the castle into the moat and Princess Penelope saves her—after stripping off her gown to reveal pink, flowered swimming trunks and a matching top. Impressed, Grand Lady Busyboots resolves that princesses can henceforth wear whatever they wish. While seeing a princess as savior rather than damsel in distress may still seem novel, it seems a stretch to cast pants-wearing as a broadly contested contemporary American feminist issue. Guthrie and Oppenheim’s unimaginative, singsong rhyme is matched in subtlety by Byrne’s bright illustrations.
Skip it . (Picture book. 3-5)Pub Date: Sept. 12, 2017
ISBN: 978-1-4197-2603-3
Page Count: 32
Publisher: Abrams
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Savannah Guthrie & Allison Oppenheim illustrated by Eva Byrne
by Bob Marley & adapted by Cedella Marley & illustrated by Vanessa Brantley-Newton ‧ RELEASE DATE: Oct. 5, 2011
Though this celebration of community is joyful, there just is not much here.
A sugary poem, very loosely based on the familiar song, lacks focus.
Using only the refrain from the original (“One love, one heart, let’s get together and feel all right!”), the reggae great’s daughter Cedella Marley sees this song as her “happy song” and adapts it for children. However, the adaptation robs it of life. After the opening lines, readers familiar with the original song (or the tourism advertisement for Jamaica) will be humming along only to be stopped by the bland lines that follow: “One love, what the flower gives the bee.” and then “One love, what Mother Earth gives the tree.” Brantley-Newton’s sunny illustrations perfectly reflect the saccharine quality of the text. Starting at the beginning of the day, readers see a little girl first in bed, under a photograph of Bob Marley, the sun streaming into her room, a bird at the window. Each spread is completely redundant—when the text is about family love, the illustration actually shows little hearts floating from her parents to the little girl. An image of a diverse group getting ready to plant a community garden, walking on top of a river accompanies the words “One love, like the river runs to the sea.”
Though this celebration of community is joyful, there just is not much here. (afterword) (Picture book. 3-5)Pub Date: Oct. 5, 2011
ISBN: 978-1-4521-0224-5
Page Count: 32
Publisher: Chronicle Books
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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More by Bob Marley
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by Bob Marley ; adapted by Cedella Marley ; illustrated by Alea Marley
BOOK REVIEW
by Bob Marley ; adapted by Cedella Marley ; illustrated by John Jay Cabuay
BOOK REVIEW
by Bob Marley & adapted by Cedella Marley & illustrated by Vanessa Brantley-Newton
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