Dense but enthralling entry, with a bevy of new, potential narrative directions.
The latest installment of this long-running technothriller series finds a next generation cyber security team facing off against unprincipled artificial intelligences.
MAG is an organization of technical leaders signified only by M, A, and G. They’re intent on controlling technology and using AIs to harvest people’s information. One such AI, JOAN, uses I-Drones to attack and overtake the North American Defense System in Colorado. Lt. Tony Bough, per his superior’s order, flees the facility, with the hopes of telling officials in Washington, D.C., what’s happened to NADS. Meanwhile, the R-Group, a family-run cyber security team that’s existed for decades, is training its young descendants to take the reins someday. Students in R-Group hacker Quip’s class gather intel when JOAN’s targeting of U.S. military and weapons-grade satellites proves understandably suspicious. But other AIs have seemingly gone rogue as well, including one holding sway over a Brazilian village and another on a Chinese space station. MAG’s nefarious plan ultimately affects R-Group members and students, like Juan Jr. on an assignment in São Paulo with Uncle Carlos, and Juan’s sister, Gracie, in a new job at Global Bank in Manhattan. The R-Group, with help from its own AI, ICABOD, works to put a stop to the AIs’ felonious deeds. Breakfield and Burkey jam-pack the 11th entry in their Enigma series with subplots, although some recurring characters, like Jacob and Petra, take a back seat. These storylines, however, including a politician that M has compromised, ultimately intersect in some capacity. The authors’ tech-savvy prose is typically sharp, but the story also has breaths of fresh air, from the still learning students to Tony’s off-the-grid run with new friend (aka romantic interest), Rose, that’s free of contemporary technology. Villains may be largely anonymous, but they’re well rounded, as personal agendas turn them against one another. They’re likewise topical: Most readers will easily link well-known companies to M, A, and G. As in previous installments, there’s an open ending and a strong possibility of further sequels.
Dense but enthralling entry, with a bevy of new, potential narrative directions.Pub Date: Jan. 7, 2020
ISBN: 978-1-946858-40-5
Page Count: 382
Publisher: ICABOD Press
Review Posted Online: Feb. 11, 2020
Kirkus Reviews Issue: April 1, 2020
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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