A historical novel as edifying as it is exhilarating.
An espionage thriller dramatizes the risky work of the French Resistance during World War II.
Mark Lynch, an American lawyer, had already undertaken some sensitive, classified missions on behalf of the United States when he was recruited to join another organizationally amorphous group that would eventually become the Office of Strategic Services. The OSS is the country’s principal intelligence agency, originally comprised solely of Ivy League grads, many of whom had very limited military experience or none at all. Lynch is whisked away for training at Beaulieu, a finishing school in England that now teaches spycraft. Once prepared, he is sent back to the U.S. to recruit two of his own men: Ludlow Carr, a distant relative with a talent for brawling, and Marshall “Fingers” Malone, a professional burglar. Lynch is assigned some dangerous missions stateside before he’s shuttled back to Europe—he helps steal sensitive documents from the French Embassy and stops a philandering congressman from carelessly leaking classified documents to his mistress. Lynch travels to Europe, and he finally parachutes into Paris, tasked with ferreting out collaborators within the weak and compromised Vichy government. The Comet Line—an escape route established to help downed British pilots safely make it out of Belgium—is targeted by Jean-Claude Blanchard, a French traitor. The OSS orders Lynch to track down and assassinate Blanchard, a mission that takes him to Andorra, a little known country in the Pyrenees. Summers (Harold’s Speakeasy: and Other Lynch’s Corner Short Stories, 2017, etc.) once again displays his unimpeachable knowledge of World War II as well as the history of the OSS, a subject he has returned to time and time again. The plot marches forward with indefatigable vigor, brimming with action and loaded with colorful characters. And while the story has its lighthearted moments, Summers never loses sight of the historical gravity of his subject: “We’re in a fight to the death with the Nazis. They give no quarter. They kill to protect their secrets. And so must we, when we go in search of those secrets.”
A historical novel as edifying as it is exhilarating.Pub Date: Nov. 1, 2017
ISBN: 978-1-977809-97-1
Page Count: 260
Publisher: CreateSpace
Review Posted Online: Dec. 11, 2018
Kirkus Reviews Issue: Feb. 1, 2019
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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