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HITLER, MUSSOLINI, AND ME

A sardonic take on human nature and a wry deconstruction of the "banality of evil."

A young Irish art historian living in Rome leads a tour for two men he calls The Flatulent Windbag and The Constipated Prick.

That’s Hitler and Mussolini. The motive for Hitler's 1938 visit is to seek Italian support for his Lebensrauming—gobbling up a nation or six—while the Italians want to be serious players on the international scene. When the multilingual art historian, Colgan, is drafted to guide the two men around some museums, Hitler takes a shine to him and demands he accompany the party on the entire tour, riding in Hitler’s personal railway car. The novel takes the form of a memoir, an expiation, written by Colgan in 1968 for his daughter, a flower child who's discovered a news clipping of the event.Who could have thought Nazi cretins could have authored the Holocaust? The setting is rendered in broad strokes, the plot based on observation rather than action. The heart lies in Colgan’s nuanced characterizations—humanizations?—of Hitler and Mussolini. With spare input from the entourage—Goebbels, Ribbentrop, etc.—the focus is on Colgan’s interactions with the dictators, which shine with bons mots, droll insights into human behavior, and distinctively witty turns of phrase—"I wasn’t exactly gruntled by my day in Naples." Hitler takes most of the spotlight, with a stunning anecdote of his volcanic apoplectic rage. The egoist Mussolini is shadowed by the tragic. Within the first-person narrative, Davis (Standing at the Crossroads, 2011, etc.) offers whimsically sardonic yet serious miniessays on feminism, sex, Hitler’s mustache, obscure German literature, and the tragic pervasiveness of anti-Semitism.

A sardonic take on human nature and a wry deconstruction of the "banality of evil."

Pub Date: May 31, 2016

ISBN: 978-1-57962-432-3

Page Count: 232

Publisher: Permanent Press

Review Posted Online: March 2, 2016

Kirkus Reviews Issue: March 15, 2016

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RULES OF CIVILITY

An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.

Manhattan in the late 1930s is the setting for this saga of a bright, attractive and ambitious young woman whose relationships with her insecure roommate and the privileged Adonis they meet in a jazz club are never the same after an auto accident.

Towles' buzzed-about first novel is an affectionate return to the post–Jazz Age years, and the literary style that grew out of it (though seasoned with expletives). Brooklyn girl Katey Kontent and her boardinghouse mate, Midwestern beauty Eve Ross, are expert flirts who become an instant, inseparable threesome with mysterious young banker Tinker Grey. With him, they hit all the hot nightspots and consume much alcohol. After a milk truck mauls his roadster with the women in it, permanently scarring Eve, the guilt-ridden Tinker devotes himself to her, though he and she both know he has stronger feelings for Katey. Strong-willed Katey works her way up the career ladder, from secretarial job on Wall Street to publisher’s assistant at Condé Nast, forging friendships with society types and not allowing social niceties to stand in her way. Eve and Tinker grow apart, and then Kate, belatedly seeing Tinker for what he is, sadly gives up on him. Named after George Washington's book of moral and social codes, this novel documents with breezy intelligence and impeccable reserve the machinations of wealth and power at an historical moment that in some ways seems not so different from the current one. Tinker, echoing Gatsby, is permanently adrift. The novel is a bit light on plot, relying perhaps too much on description. But the characters are beautifully drawn, the dialogue is sharp and Towles avoids the period nostalgia and sentimentality to which a lesser writer might succumb.

An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.

Pub Date: July 25, 2011

ISBN: 978-0-670-02269-4

Page Count: 352

Publisher: Viking

Review Posted Online: May 19, 2011

Kirkus Reviews Issue: June 1, 2011

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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