The second prequel to Finch’s Victorian series (The Woman in the Water, 2018, etc.), rich in period minutiae, unveils the...

THE VANISHING MAN

An aspiring private detective takes a case that could make or break his reputation.

London, 1853. Upper-class sleuth Charles Lenox is called to Dorset House by the duke’s private secretary, who reminds Lenox that absolute discretion will be required. The 15th Duke of Dorset, one of the most powerful noblemen in Great Britain, wants to know who stole a painting of his ancestor from his study, though he cares little about the actual painting. Lenox notices that one of the paintings still left on the wall is totally unlike all the other portraits: It’s much smaller, with a more humble subject. Only three people—one of them being Queen Victoria—know it’s the only existing oil portrait painted from life of William Shakespeare. The duke says this unbelievably valuable painting was the thief’s real target. To help him locate the missing painting, Lenox enlists the services of Thaddeus Bonden, a man who has a reputation for being able to find anything. When the duke is apparently kidnapped, Lenox deduces that Dorset faked the kidnapping to set a trap for the thief. Dorset, whose arrogance knows no bounds, is furious to be found out and insults Lenox in front of their peers at their exclusive club, White’s, badly damaging the younger man's reputation. Soon thereafter Lenox forces Dorset, who still needs his services, to call upon him and tell him the truth. Dorset agrees to show Lenox papers about a mysterious treasure that can supposedly be located by following clues hidden in the Shakespeare portrait. Before they can succeed, however, the duke is arrested and taken to the Tower of London for killing his longtime manservant, Craig, who was attempting to steal the Shakespeare portrait. Fortunately, his imprisonment does nothing to slow their plans down, for the duke is treated more as an honored guest than a felon. When Bonden discovers the whereabouts of the missing painting of Dorset’s ancestor, its surprising location helps Lenox puzzle out the shocking truth.

The second prequel to Finch’s Victorian series (The Woman in the Water, 2018, etc.), rich in period minutiae, unveils the frightening power of the uppermost classes.

Pub Date: Feb. 19, 2019

ISBN: 978-1-250-31136-8

Page Count: 272

Publisher: Minotaur

Review Posted Online: Nov. 26, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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THE A LIST

A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 19, 2019

Kirkus Reviews Issue: March 1, 2019

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The loose ends that make this the least satisfactory of Joe’s three cases to date still don’t inhibit Box’s gift for nonstop...

WINTERKILL

The latest in an award-winning series set in the Bighorn Mountains (Savage Run, 2002, etc.).

Minutes after Wyoming game warden Joe Pickett arrests Lamar Gardiner, District Supervisor for the Twelve Sleep National Forest, for firing into a herd of elk, killing seven animals and blindly continuing to reload with cigarettes after he runs out of shells, Gardiner manages to handcuff Joe to his steering wheel and bolt off into a winter storm, only to turn up pinned to a tree with a pair of arrows, his throat cut. And things get even messier from that point on. The attack on a federal agent, together with reports that the Nation of the Rocky Mountain Sovereign Citizens has established an encampment in Twelve Sleep, brings gung-ho US Forest Service investigator Melinda Strickland and FBI sharpshooter Dick Munker, a veteran of Waco and Ruby Ridge, to town. Strickland maintains that she’s just trying to get justice for a murdered official, but she seems awfully eager to tie the perp to the Sovereigns. By the time Joe arrests one of Gardiner’s disappointing killers and identifies the other, Strickland and Munker are already planning an all-out attack on the encampment. The prospect is a personal nightmare for Joe, since Jeannie Keeley, the drifter whose abandoned daughter April Joe and his wife have been trying to adopt, has reclaimed April and spirited her off to the dubious shelter of the Sovereigns.

The loose ends that make this the least satisfactory of Joe’s three cases to date still don’t inhibit Box’s gift for nonstop action and his ability to see every side of the most divisive issues in the West.

Pub Date: May 12, 2003

ISBN: 0-399-15045-5

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2003

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