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One Times One

& OTHER NUMINOUS STORIES OF REDEMPTION AND LOSS

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A collection spotlights 14 tales of madness, the possible existence of extraterrestrials, and inescapable fate.

The mere title of “Imminent Doom and His Own Demise” is indicative of all the author’s stories, which are decidedly darker in tone than Frode’s (A Dream of India, 2015) preceding book. In “Doom,” Victor’s torn by his wife’s suicide and is certain that both his and the world’s extinctions are inevitable. It likewise features a recurrent theme among the tales, one of a typically cruel destiny. “On the Stick,” for example, follows robotics engineer Switch, who picks up hitchhiking art student Art, only for the two to cross paths later in a startling turn. Similarly, in the title story, spiritual teacher Penelope bequeaths to her student Caldero a ring that may explain the mystery of the cosmos, while Al-kaid Al-Uqdah of “The Seven Lights” has seemingly been chosen (by the universe, perhaps) as owner of a book and potential key to alien contact. The stories repeatedly tread murky, sometimes-horrific territory. In the memorable “Token,” magician Theodore ignores a warning to steer clear of the bad-spirits–laden oak thicket behind his duplex and fashions a wand from a sapling with frightening results. “The Faithful,” too, is violent—earning a caution from the author in his introduction—but undeniably potent, a brief tale of groups of varying religions suffering persecution and much worse. There are, however, signs of optimism, like the woman in “A Cup of Coffee,” whose kind gesture for a homeless man could lead to an unusual but benevolent payback. Frode also injects a good deal more humor in this collection. Character names, for one, are frequently playful, including the conspicuously christened Destiny (“On the Stick”), plastic surgeon Dr. Cutter (“Knife Skills”), and head of Archaeological Collections and Archives, Archibald Richland VanDigguer (“Collections”). As in the author’s earlier work, his narratives are illustrative, even with minimal action. The contemplative protagonist of “Chayton’s Sky” primarily stands still, “watching the cloud slowly and ponderously writhe and quietly collapse little-by-little eventually into the chaos of the accompanying cloud masses alongside it or into the sky itself.” Often grim but always ruminative stories that turn out to be as eccentric as they are indelible.

Pub Date: July 21, 2015

ISBN: 978-1-312-76150-6

Page Count: 152

Publisher: Lulu

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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