HOWARD HUGHES

THE SECRET LIFE

An outing of the billionaire closet bisexual by Higham, whose bios include lives of Cary Grant, Brando, Orson Welles, the Duchess of Windsor, and L.B. Mayer, among others. Higham does his research an injustice by insisting on printing much sexual hearsay as fact (and hinting that Hughes died of an AIDS-like disease), especially since he has done as much homework on Hughes's business and monetary activities as he did on Wallis Windsor and Mayer. The first half of Hughes's life fascinates with his immense network of seductions as he forms one movie company to assuage his voyeuristic needs and buys another to continue them- -while also running Hughes Tool, TWA, and other businesses—and meanwhile breaking an around-the-world aircraft speed record and building the gigantic Spruce Goose military transport (a white elephant of no use whatsoever). This is all before his psychic collapse into fear of large-scale germ warfare via Kleenex, a mental illness that Higham suggests Hughes picked up from his mother, a monumental cleanliness nut. As for the bisexual hearsay, Higham says he got it from Lawrence Quirk, nephew of Photoplay publisher James Quirk, who got it straight from Hughes's bisexual uncle Rupert Hughes, who got it from Hughes himself during a confessional outpouring. Higham says that Hughes's ``sexual partners were not so much lovers as hostages, prisoners or victims of his will; he had to dominate in everything.'' The author tells of Hughes's descent into Hollywood S&M, and as for his news about Hughes paying off Hubert Humphrey and Richard Nixon: It may not be new, but it comes strongly documented. The recluse's last years are...ripe—he even takes to storing his urine in Mason jars. Undeniably a hypnotic portrait of a great American monster.

Pub Date: July 1, 1993

ISBN: 0-399-13859-5

Page Count: 384

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1993

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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