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GODS OF THE UPPER AIR

HOW A CIRCLE OF RENEGADE ANTHROPOLOGISTS REINVENTED RACE, SEX, AND GENDER IN THE TWENTIETH CENTURY

This superb narrative of debunking scientists provides timely reading for our “great-again” era.

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The story of cultural anthropologist Franz Boas (1858-1942) and “a small band of contrarian researchers” who shaped the open-minded way we think now.

In this deeply engaging group biography, King (Government and International Affairs; Georgetown Univ.; Midnight at the Pera Palace: The Birth of Modern Istanbul, 2014, etc.) recounts the lives and work of a handful of American scholars and intellectuals who studied other cultures in the 1920s and ’30s, fighting the “great moral evils: scientific racism, the subjugation of women, genocidal fascism, the treatment of gay people as willfully deranged.” Led by “Papa” Franz, who taught for four decades in Columbia University’s first anthropology department, the group of “misfits and dissenters” (as a university president called them) included Margaret Mead, whose expeditions to Polynesia produced Coming of Age in Samoa (1928); Ruth Benedict, Boas’ assistant, Mead’s lover, and author of Patterns of Culture (1934); Zora Neale Hurston, the Harlem Renaissance writer whose ethnographic studies led to her novel Their Eyes Were Watching God (1937); and Ella Cara Deloria, a Native American scholar and ethnographer. King offers captivating, exquisitely detailed portraits of these remarkable individuals—the first cultural relativists—who helped demonstrate that humanity is “one undivided thing,” that race is “a social reality, not a biological one,” and that things had to be “proven” before they could shape law, government, and public policy. “When there was no evidence for a theory,” Boas argued, “…you had to let it go—especially if that thing just happened to place people like you at the center of the universe.” King’s smoothly readable story of the stubborn, impatient Boas and his acolytes emphasizes how their pioneering exploration of disparate cultures contradicts the notion that “our ways are the only commonsensical, moral ones.” Rich in ideas, the book also abounds in absorbing accounts of friendships, animosities, and rivalries among these early anthropologists.

This superb narrative of debunking scientists provides timely reading for our “great-again” era.

Pub Date: Aug. 6, 2019

ISBN: 978-0-385-54219-7

Page Count: 448

Publisher: Doubleday

Review Posted Online: June 16, 2019

Kirkus Reviews Issue: July 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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