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TRACKS THAT SPEAK

THE LEGACY OF NATIVE AMERICAN WORDS IN NORTH AMERICAN CULTURE

Readers of William Safire, Anne Soukhanov, and other language mavens will want to add this slender study to their...

An abalone-to-woodchuck tour of the Native American contribution to the American vocabulary.

Of necessity, writes the late historian Cutler, Europeans arriving on this continent’s shores borrowed indigenous terms to describe unfamiliar plants and animals, with the result that “you can hardly step outdoors without using words derived from Native American languages.” From those languages come such terms as chipmunk and saguaro, skunk and wapiti, hickory and sockeye, all long at home in the pages of Webster’s. Retracing ground covered in his O Brave New Words! (not reviewed) and familiar to readers of H. L. Mencken’s The American Language as well as other standard books of etymology, Cutler examines these terms with an eye toward cultural history as well as lexicography, and he does so engagingly. For instance, we learn from his pages not only that the word tipi (now preferred to the old spelling of tepee) derives from the Dakota verbal stem ti, “to dwell,” but also that a tipi manufacturer in Oregon sold more than 10,000 of them between 1970 and 1995; that the snow boots called mukluks derive from the Yupik Eskimo maklak, “bearded seal,” the source of the original’s soles; and that succotash, “New England’s most tradition-laden dish,” derives from the Narragansett msíckquatash, meaning nothing more than boiled corn. Cutler favors terms taken from eastern and southern Indian languages such as squaw, the current political squabble over which, he writes, comes from incorrect etymologizing. (It derives, he insists, from the Massachusetts word for woman, not the Mohawk word for vagina.) He does address, however, a few terms borrowed from the peoples of the Plains, Southwest, and Northwest.

Readers of William Safire, Anne Soukhanov, and other language mavens will want to add this slender study to their collections.

Pub Date: April 3, 2002

ISBN: 0-618-06509-1

Page Count: 272

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2002

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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