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WHAT HAPPENED IN LAKE ERIE

A carefully wrought study of a gay boy’s coming-of-age.

Ross’ (Inside, 2013, etc.) literary novel considers the fraught relationship between a young gay man and his father.

When he is 8 years old, Anthony Dimora is swimming with his father in Lake Erie. They pretend that Anthony is a submarine and his father is a bridge so that Anthony can swim between his father’s legs, groping his father underwater where no one can see. “Swimming underwater, I lift my arm above my head. Daddy’s bulge feels firmer and pushes against my palm.” As Anthony comes up, gasping for air, his father affirms, “My boy’s just fine, isn’t he?” At least, that’s how Anthony remembers it. Growing up in the tightknit Italian-American community in Castleton, Pennsylvania, Anthony idolizes his father. But he’s also in love with him. As his gay identity develops, however, his relationship with his father becomes increasingly strained, and Anthony finds a surrogate dad in Tony Tomasso, his father’s friend. Tensions in his parents’ marriage, family secrets, and a conservative 1950s culture all weigh on the young man as he tries to understand his sexual orientation in a hostile environment. It isn’t until he reaches adulthood that he is able to examine the events of his early life—and his bond with his father—with clarity. When he finally realizes what truly happened, it may turn out to be even worse than the story he’s been telling himself all along. Ross’ prose is pliable and perfectly animates Anthony’s unique voice: “I look at the kitchen clock. Five-fifteen. Daddy doesn’t know I have paper dolls. Even though Mommy said he wouldn’t like me playing with them, she gave me the Hedy Lamarr paper doll set that she had as a girl. Mommy said Hedy Lamarr was a big movie star, but I’ve never heard of her.” While much of the novel’s material is quite dark, Ross renders it palatable through the humanity of his characters. And the bold exploration of a father and son’s relationship makes for a compelling reading experience.

A carefully wrought study of a gay boy’s coming-of-age.

Pub Date: Nov. 16, 2018

ISBN: 978-1-72963-861-3

Page Count: 222

Publisher: CreateSpace

Review Posted Online: Jan. 11, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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