O’Hay chronicles life with the drunks, junkies and gamblers. A newly married man in New Orleans, sick with the need for...

FAR FROM LUCK

 

Poems and photographs that capture life on the street among the down and out, as well as commentary on the decline of nearly everything.

O’Hay chronicles life with the drunks, junkies and gamblers. A newly married man in New Orleans, sick with the need for alcohol, steals a shot of booze at a bar just before “the bouncer’s hand on my shoulder / tells me I am paper, tosses me to the curb.” A junkie with a grotesquely swollen leg panhandles near a hotdog stand, asking for $4 for his “prescription.” A street hustler recites the names of the dead “as if lighting candles.” Interspersed with these character sketches and stories are poems about family, as well as poems that showcase the author’s sharp eye and sardonic wit: Preachers at a rest stop don’t realize that the difference between the poet and themselves is that “when they get to Hell / they’ll be surprised.” Alien conquerors will surely decide that the Earth isn’t worth keeping, and should be tossed like “a bruised peach / back on the pile.” One standout poem from the collection is “Inheritor.” It imagines an ancient, wild and undefined thing “pacing” the poet when he was 7 years old, sitting in the back of his grandfather’s car in the “thick shadows that skirt the tree line.” O’Hay’s work is gritty, keen and sympathetic without being condescending. Some of his imagery is especially striking—a pair of cardinals fight on his lawn “like two blood stains / in love with the same / bullet”—made all the more so by his clear, straightforward language throughout. The book includes black-and-white photographs of Philadelphia’s homeless taken by the author, and a portion of the book’s proceeds goes to a nonprofit that services Philly’s homeless community.

Pub Date: Oct. 5, 2011

ISBN: 978-1466362741

Page Count: 132

Publisher: CreateSpace

Review Posted Online: June 25, 2012

Did you like this book?

No Comments Yet

A fast-paced, engaging trip to the heart of a bachelor, without enough plausibility or dimension.

THE ALASKAN STING

In Herold’s debut novel, a young, womanizing boozehound struggles to catch up with his elusive Alaska-bound cruise ship.

Young, single Tom Courier has just been gifted an all-expenses-paid trip aboard the Nordic Princess, courtesy of his cousin and co-worker, Scott. His objective: two weeks of bourbon-soaked, coitus-filled relaxation. Things seem on track after he achieves his objective an hour into his initial connecting flight. From there, however, his plans veer wildly off course: A bomb detonates on the plane’s wing, forcing an emergency landing in Portland. Tom misses the Princess’ departure, but his luggage finds its way on board and serves as motivation throughout the story for him to reach the ship. Unfazed, Tom seizes the opportunity to spend an erotic evening with Mandy—the “cougar” he met on the plane—in a secluded hideaway in the Oregon wilderness. Herold’s ominous foreshadowing hints at Tom’s impending misfortune, and trouble continues to lurk just below the surface for much of the novel. The author maintains sufficient momentum as his protagonist pushes on, inching ever closer to reaching his stateroom aboard the seafaring vessel. Yet an ensuing stream of uncannily coincidental mishaps keeps him perpetually one step behind. On his next layover, in British Columbia, Tom finds himself in another love affair, this time with a local surfing champion named Giata. In increasingly predictable fashion, this fling proves more urgent than catching the ship, of which Tom remains in tepid pursuit. Unfortunately, Tom’s seemingly one-track mind accentuates his shallow depth of character and risks preventing many readers from relating to him. Following another airplane crash, Tom finds himself in the port town of Ketchikan, Alaska, engaging in yet another romance with a local beauty. There, he’s hurled inexplicably into a two-man campaign to track down a mythical, luck-bringing sea beast. The story’s rapid pace continues at the expense of character development, while typos throughout further distract from the more subtle plot threads Herold attempts to weave. Despite the lulling effect of its rhythmic, seemingly inevitable series of calamities, the story revives for a compelling final twist.

A fast-paced, engaging trip to the heart of a bachelor, without enough plausibility or dimension.

Pub Date: Jan. 20, 2012

ISBN: 978-1468507737

Page Count: 328

Publisher: AuthorHouse

Review Posted Online: Feb. 7, 2014

Did you like this book?

No Comments Yet

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2012

BYE BYE BLACKBIRD

WORLDS PAST AND WORLDS AWAY

Merging geographic precision with detailed lyricism, Berry’s collection of poetry spans continents and states of the soul.

The best poetry focused on a particular locale tends to evoke sensory stimulation as much as meaning, and Berry’s collection of nearly 60 poems is no different. Born in England, the author has travelled widely throughout Africa and the United States. With a doctorate in geography, she casts a discriminating, discerning eye on the landscapes to which her travels have taken her. In unrhymed, compact poems—few more than a page in length—the poet speaks with seriousness about the relationship between the natural world and one’s inner world. In “Music of Place,” she writes: “Carried in the wind is the music of place, blown / like washing on a line, white sheets flapping, sending / large billowing folds of sound back to me,” which typifies her ability to translate a place into a finely detailed, highly specific moment in her past or present. Some poems set in North Africa elevate journallike jottings into sharply etched experiences. The dominant moods suffusing these poems are calm and meditational, perhaps reflecting the influence of poet Elizabeth Bishop, who was also attuned to inner and outer geographies. The final 20 poems shift focus from geography and place to reconciliations or frictions with family members; many relatives have passed on but are vibrantly alive in the author’s memory. These family sketches often turn on a particularly poignant phrase spoken to the author by a parent or loved one: “Windows” pivots on Berry’s father’s comment, “I could drive if I wanted to,” as the author notes that her father never owned a car. Few books of recent poetry reveal such a penetrating awareness of how the environments in which we live affect us as much as we affect them. An extraordinary, nuanced collection by a gifted poet.

 

Pub Date: Aug. 1, 2010

ISBN: 978-1935514749

Page Count: 80

Publisher: Plain View

Review Posted Online: April 11, 2012

Kirkus Reviews Issue: May 1, 2012

Did you like this book?

No Comments Yet
more