SHAKESPEARE'S MARGARET

Step aside, m’lords.

Think of Shakespeare, and you think of Lear, Hamlet, Othello, Juliet, or Cleopatra. But the single figure who appears in more plays than any other is Margaret of Anjou, queen to King Henry VI and one of the most complex of late-medieval English women. So say O’Malley, a writer and dramaturg, and Stern, a scholar and critic, in their enlightening book. Shakespeare wrote four plays in which Margaret appears—among his earliest forays into historical drama. She is the first of his great female characters, a woman torn between duty and desire. While the historical Margaret lived for little more than 50 years (1430-1482), the dramatic character takes on an immortality no less compelling than Lady Macbeth or Hamlet’s mother. “She commands armies, acts as regent without her husband’s explicit permission, seeks revenge, strikes a rival, stabs a foe, and revels in the murders of the children of her enemies,” the authors write. She raised questions about gender and power not only for her own historical century but for Shakespeare’s as well. In the 1590s, to have a Queen Elizabeth was to have a woman in a man’s role. Elizabeth herself announced that she had “the stomach of a king.” So, too, Margaret would reach out from the stage to limn herself a “tiger’s heart wrapped in a woman’s hide.” She became a focal point for understanding how Elizabethan theater could interrogate the nature of female rule; how crafting a woman’s part (that would have been played by a boy, given the times) shaped the young playwright’s sense of domestic drama; and how, throughout the history of Shakespearean performance, actresses tested their own mettle on the mantle of this ferocious queen.

An insightful study of Shakespeare’s first great female character.