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THE DESTRUCTIVE WAR

WILLIAM TECUMSEH SHERMAN, STONEWALL JACKSON, AND THE AMERICANS

Here, LSU history professor Royster (Light-Horse Harry Lee and the Legacy of the American Revolution, 1981; A Revolutionary People at War, 1980) shows how both the North and South clamored for massive and lethal action against one another in the Civil War, only to find that the violence surpassed their fantasies of mayhem in unexpectedly nasty ways. Largely foregoing discussions of weaponry and strategy in favor of individual and mass motivation, Royster ably illustrates how war was used to resolve deep uncertainties over liberty and federal authority dating back to the American Revolution. Not by accident were the two fiercest warriors of the conflict Jackson and Sherman, who ``epitomized the waging of successful war by drastic measures justified with claims to righteousness.'' For Jackson, with a Calvinist zeal for self-improvement, the war was an attempt to prove, on a national scale, that ``you can be whatever you resolve to be''; for Sherman, the war had to be brought to a swift halt before it undermined the foundations of order he had seen threatened in post-Gold Rush San Francisco and antebellum Louisiana. Royster's blend of brilliantly written descriptive tableaus (e.g., Jackson's mortal wounding at Chancellorsville by friendly fire, Sherman's destruction of Columbia, S.C.) and analysis of both sides' heated rhetoric is not particularly smooth. But he skillfully explains why Jackson and Sherman became such powerful symbols of unrelenting determination—and he demonstrates how Yankees and Rebels yielded successively to illusion, shock, ever-mounting slaughter, and endless postwar efforts to justify the violence. A subtle and elegant attempt to examine the hearts and minds of Unionists and Confederates—and the drastic means both used to give shape to radically different visions of nationality and freedom. (Twenty-two photographs and six maps—not seen.)

Pub Date: Oct. 16, 1991

ISBN: 0-394-52485-3

Page Count: 560

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1991

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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