The book is written using three second-person present-tense narrators (for no apparent reason except that Stross,...
Opening salvo in a near-future Information War, from Stross (Glasshouse, 2006, etc.).
In 2018, in the People’s Republic of Scotland, Wayne Richardson, marketing director of Hayek Associates, a new dotcom startup involved with online virtual-reality gaming, calls the cops in a panic. He attempts to explain to dogged Sergeant Sue Smith that he’s been robbed by Orcs, who’ve raided the bank of VR game land Avalon Four. It emerges that Hayek acts as a stabilizer for the economies of numerous online reality games, and if word of the robbery leaks out, their share price could plummet. Meanwhile, Hayek’s backers, sensing an attempt at stock-price manipulation, send forensic accountant and gamer Elaine Barnaby—who, once she grasps the situation, insists on calling in programmer and games expert Jack Reed to assist. As Elaine and Jack probe the robbery, it becomes clear that something else is going on—as evidenced by an anonymous threat to kidnap Jack’s niece, then an attempt to kill them both. The world’s three information superpowers—Europe, China and India—are poised to go to war. Chinese Intelligence dreamed up a way of subverting the computing system of a medium-sized European nation using hackers and VR game-players. Elaine and Jack learn, however, that Hayek itself is a front for British Intelligence, which has used the VR/role-playing game SPOOKS to train a cadre of willing and utterly unsuspecting counter-operatives—including Jack and Elaine!
The book is written using three second-person present-tense narrators (for no apparent reason except that Stross, convincingly, can). Throughout, he displays a knack for turning outrageously improbable speculation into certainty in this fast-paced, skillfully constructed computational mirror-maze.Pub Date: Oct. 2, 2007
ISBN: 978-0-441-01498-9
Page Count: 352
Publisher: Ace/Berkley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2007
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
BOOK TO SCREEN
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