Splendid for storytimes or snuggles.
The wonders of a winter walk.
This charming outing delights in many ways. First, the entire story is told with s-words, adjectives, verbs, and nouns: scruffy, slosh, and, best of all, standstill, as the two beachgoers, an adult and a child, encounter something special. Read more closely, it’s a poem with a pleasing rhythm and repetitions and a balanced, grammatical structure (explained further in an afterword). The text sits directly on full-bleed illustrations with just one or two lines to a spread, sometimes only a word. Pacing is also indicated with ellipses and page turns. “Slow steps—shuffle, straddle, saunter…sand” take the pair to the beach. Later there’s a “Steady step, solid step, shaky step…stumble,” and finally “Swift steps—scamper, scuttle, scurry…shower” before bedtime. Lechuga’s illustrations, done in an appropriately wintry, bleached-out palette, add depth and detail. The two have pale skin and straight light and darker brown hair for child and adult respectively. They dress appropriately for a cold winter walk. The adult’s A-shaped figure suggests possible pregnancy. The child carries a doll, which also wears a knitted cap. The beach they visit is full of wonders. Most astonishing are the crabs—who return, in this well-rounded tale, in a shared bedtime story. The winter landscape and changing sky are carefully depicted with added watercolor textures. One striking scene is a spread full of seabirds taking off as the girl approaches. “Super!”
Splendid for storytimes or snuggles. (suggestions for exploring the beach in winter) (Picture book. 3-7)Pub Date: Jan. 19, 2021
ISBN: 978-1-58089-932-1
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
A comical, fresh look at crayons and color
Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color . (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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