A definite improvement over the first book in the series.
In Breakfield and Burkey’s (The Enigma Factor, 2013) latest techno-thriller, a group combats evil in the digital world, with multiple assignments merging in Acapulco and the Cayman Islands.
When Thiago Bernardes’ daughter, Lara, goes missing after their argument, the businessman seeks help from Otto, head of the R-Group. JAC, aka Julie, finds a lead in Acapulco, where fellow group members (and lovers) Jacob and Petra are vacationing. The couple meets Simone and Carlos, the latter of whom hires Jacob to investigate a bank in the Cayman Islands and who, along with his brother Juan, may be responsible for the disappearance of Mexican drug lords and their money. In this, the second book in the Enigma series, the authors churn out a more streamlined narrative; while the first novel was essentially an origin story—dealing mostly with the recruitment of Jacob, who’s a minor player this time around—this volume dives right into the story with already established relationships such as Jacob and Petra’s. From there, the narrative efficiently sets up Carlos and Juan’s failed drug business and their decision to try their hand at laundering drug money. The story boasts strong characters: R-Group hacker Quip and JAC (both of whom are more pivotal to the narrative this time around) and Carlos, whose business ventures pit him in the role of villain but whose later choices—he considers giving up everything for Simone—make him much more commendable. Yet the shadier characters have more impact: Jesus, though Carlos and Juan’s uncle, is introduced holding a knife to Carlos’ throat, and sleazy porn filmmaker Spencer spends much of his time luring (or attempting to lure) women into his movies. Despite the porno subplot, the story is surprisingly tame: Simone’s friend Rita has to explain to Petra what a lap dance is. Strangely, R-Group’s missions are resolved well before the end, and the book’s final act focuses on the romantic connection between Carlos and Simone; Thiago’s attempt to placate board members demanding a successor (he’s waiting for Lara’s return); and an act of revenge that backfires against an R-Group member. Nevertheless, the story will hold readers’ attention until its unsettling conclusion, which once again leaves plenty of room for a sequel.
A definite improvement over the first book in the series.Pub Date: Jan. 2, 2014
ISBN: 978-1493676897
Page Count: 322
Publisher: CreateSpace
Review Posted Online: March 3, 2014
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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