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THE LIFE OF ANTHONY PERKINS

This is the first book by Winecoff, a graduate of the film program at UCLA, who ``grew up around the corner'' from his subject, Psycho star Anthony Perkins. Unfortunately for his career and his emotional balance, Perkins was quickly condemned to be thought of as just that, the star of Alfred Hitchcock's epochal 1960 film. Although he had a not undistinguished career on stage and actually made few horror films until relatively late in his career, Perkins would be forever identified with the knife-wielding Norman Bates. However, as Winecoff's book amply documents, that was one of his lesser problems. Perkins was the son of the famous stage actor Osgood Perkins, who died when the boy was only five. Perkins's mother, Jane, was a cold and dominating woman. The boy was sent to boarding schools, where he was generally miserable. His life was made all the more difficult by his realization that he was gay. Winecoff assiduously traces Perkins's career path—from summer stock to a premature Hollywood debut in Cukor's The Actress, to Broadway success in Look Homeward, Angel, then back to Hollywood for Friendly Persuasion and stardom. Perkins had a somewhat ambiguous marriage to Berry Berenson, which produced two children, whom he doted on. His life and work after Psycho seem to constitute a nearly unbroken downward spiral, including an escalating drug problem and culminating with his death in 1992 from AIDS. The book is the product of a tremendous amount of homework; Winecoff seems to have interviewed everyone living who ever worked with Perkins. Unfortunately, the prose is gratingly melodramatic and filled with mixed metaphors and solecisms (a play ``had flopped without a trace''). Winecoff shows little affection for most of Perkins's work, which leads the reader to wonder why why he has produced this long and tedious book. (16 pages b&w photos, not seen) (Book-of-the-Month Club and Quality Paperback Book Club selections)

Pub Date: Sept. 1, 1996

ISBN: 0-525-94064-2

Page Count: 496

Publisher: Dutton

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 15, 1996

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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