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SCOURGE

Despite a slow start, this tale eventually succeeds with its scientific intrigue and decisively high stakes.

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Pearson (The Marinated Nottingham and Other Abuses of the Language, 2016) offers a sci-fi thriller about a virus that threatens humanity.

Stacy Romani spent a good deal of her youth at her family’s chemical factory. It was there that she displayed a keen ability for scientific research. She grew up in a tightknit Roma family, and their wealth and distrust of outsiders allowed Stacy to pursue a career in science without any distractions. She would one day become an “elite of biochemistry,” although she could hardly anticipate some of the challenges that she would eventually face. One of her fellow elites is a man named Aatos Pires, who, much like Stacy, stood out as a child due to his advanced intelligence and, also like Stacy, doesn’t always have the best social skills. The two had once met years ago, as children; when they meet again as adults, it’s during a time in which a powerful virus is spreading through the population. As a woman working at the Centers for Disease Control describes it, the virus “doesn’t inhibit the immune system. It eats it.” To make matters more troubling, the virus was concocted by Aatos’ colleague in order to forward the goal of the “peaceful extirpation of the human species.” It turns out that there are lots of people around who want to put an end to all human life. And although the reader knows that Aatos is not to blame, the authorities still find him suspicious. Although the premise sounds simple enough, the narrative takes a while to get to the heart of the matter. Stacy’s and Aatos’ backstories are lengthy and not quite as thrilling as an illness that could annihilate everyone on the planet. Although it’s revealed that Stacy once discovered a virus as a youngster, thanks to an electron microscope, a fierce commitment to the scientific method, and a can-do attitude, both she and Aatos play better as dedicated adults than they do as precocious children. Other characters include journalist Joshua Grimm, who has his share of insights, such as his disdain for broadcasters who seek comments from people on the street (“Who seriously thought random civilians had anything meaningful to contribute?”), but his mission to report only slows the progress of more pressing narrative material. Although this virus-threatening-civilization story loses focus at times, it’s imaginative and full of action at its best. The story is at its most endearing when it explores hard science, as when Stacy and Aatos investigate “the viral RNA and its protector protein.” These portions give the reader a glance at how real investigators might tackle such a thorny problem—even if they didn’t already have a track record of tackling such difficulties from a young age. Pearson also makes sure to throw in plenty of flying bullets along the way, and he’s continually shifting the quirky plot into places that are both surprising and fantastical.

Despite a slow start, this tale eventually succeeds with its scientific intrigue and decisively high stakes.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Fiery Seas Publishing

Review Posted Online: July 25, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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