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I MISS YOU MOST

Warm and heartfelt.

A child learns to cope with loss.

In rhyming text, a young narrator yearns for a recently departed grandparent, whose absence is felt in small, day-to-day moments: “I miss you most at dinner / when seafood stew is served. // I miss you in the ocean waves / that crash and splash and swerve.” Dark, muted colors and empty spaces emphasize the child’s grief and loneliness on each two-page spread. In time, with support from the rest of the family, the protagonist focuses on ways to remember the grandparent: “I see you in the mirror / through the sparkle of my smile.” “You’re with me in the twists and turns / of stories that I write.” “But most of all I feel you / in each kindness I return.” Gradually, the child finds comfort in cherished memories; clearly, this beloved grandparent has helped shape the young narrator’s life—and continues to do so. Cheng and Yan make an impressive team. Cheng’s lyrical text creates sensory snapshots that add richness and depth to this intergenerational bond, bolstered by Yan’s beautiful, softly textured digital illustrations, which make effective use of color to capture the protagonist’s feelings. Together, their storytelling packs a powerful emotional punch. The family at the center of this story is cued as Chinese.

Warm and heartfelt. (Picture book. 4-8)

Pub Date: Aug. 27, 2024

ISBN: 9780593532997

Page Count: 40

Publisher: Rocky Pond Books/Penguin

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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