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ONCE THERE WERE WOLVES

A lovely, gripping tale about a world that could be our own.

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One woman’s mission to rewild the forests of Scotland with wolves yields far-reaching personal consequences.

Wildness in all of its forms is the central theme of McConaghy’s second book, which circles the lives of twin sisters Inti and Aggie Flynn as Aggie trails Inti, who's a biologist, from Australia to Canada and, eventually, Scotland. Inti and her colleagues hope that reintroducing wolves to the ecosystem will promote reforestation after the lumber industry has robbed the Scottish Highlands of timber, having seen success with similar projects in Yellowstone National Park. McConaghy’s powerful debut, Migrations (2020), dealt similarly with a woman determined to preserve a valence of wildlife while struggling with the violence and isolation of such a task, and some of the same tensions prevail here, as it becomes increasingly clear that the menacing wildness of wolves often pales in comparison to the cruelties of which humans are capable. Inti and Aggie are close to the point of codependence, having moved from place to place together and survived Aggie’s struggles with domestic violence in her marriage. McConaghy cleverly withholds the details of a trauma that has left Aggie without speech while Inti’s anger at the plight of the wolves and the local people’s resistance to their rewilding carries the narrative at a breakneck pace. All throughout, the language hews to the poetic: “Tiny leaves shimmer green...the color of ripe Colmar pears, Irish pitcher apples, and the glittering mineral called uran-mica.” Inti has a tendency to overidentify with the wolves she is struggling to help, and there is no shortage of emotional and physical violence here, but the payoff is the glimpse of gentleness and humanity that we spot through Inti’s and Aggie’s eyes.

A lovely, gripping tale about a world that could be our own.

Pub Date: Aug. 3, 2021

ISBN: 978-1-250-24414-7

Page Count: 272

Publisher: Flatiron Books

Review Posted Online: May 18, 2021

Kirkus Reviews Issue: June 1, 2021

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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DEMON COPPERHEAD

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

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Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.

It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Pub Date: Oct. 18, 2022

ISBN: 978-0-06-325-1922

Page Count: 560

Publisher: Harper/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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