A marvelous plunge into a beautifully crafted adventure.

THE STARDUST THIEF

This debut quest fantasy is the first of a trilogy concerning the revival of an ancient struggle between humans and jinn.

Years ago, assassins in black murdered all of Loulie al-Nazari’s tribe; unaccountably, a wandering jinn named Qadir took her under his protection, posing as her human bodyguard. Today, Loulie hides behind the identity of the Midnight Merchant, locating and selling illegal magical relics. But now the sultan of Madinne has found her out and is forcing her to go on a dangerous desert quest to find the most ancient relic of them all—a lamp imprisoning an enslaved but incredibly powerful jinn—which he intends to use to commit jinn genocide. Along with Qadir, her designated companions are the sultan’s cruel older son, Prince Omar, who rules the deadly band of jinn hunters known as the Forty Thieves, and Omar’s most trusted thief, Aisha. Except that the prince on this journey is actually Omar’s younger brother Prince Mazen, a softhearted and sheltered storyteller whom Omar has blackmailed into taking his place with a magical disguise. Aisha also has her own mission from Omar, which she cannot share. Burdened with secrets, this unlikely quartet encounter many perils while learning new and deadly things about the nature of jinn and of themselves. Several recent Middle Eastern fantasies have explored the complex and bloody relationship between human and jinn (with obvious relevance to contemporary sociopolitics), each in a gloriously unique way. This one offers brief but clever nods to such classic tales from One Thousand and One Nights as “Aladdin,” “Ali Baba and the Forty Thieves,” and the framing tale of Scheherazade, but then charts its own thrilling territory. Not only is the story exciting (although at least some of Omar’s plot will be obvious from early on), but the characterization and growth of the three human questers—and to a certain extent, the jinn Qadir—are extremely strong; all are driven to question everything they thought they knew and to consider whether that new knowledge will change their course of action.

A marvelous plunge into a beautifully crafted adventure.

Pub Date: May 17, 2022

ISBN: 978-0-316-36876-6

Page Count: 432

Publisher: Orbit

Review Posted Online: March 16, 2022

Kirkus Reviews Issue: April 1, 2022

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Hits the marks for spooky thrills and mysterious chills.

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BOOK OF NIGHT

A former thief who specialized in stealing magical documents is forced back into her old habits in Black's adult debut.

Charlie Hall used to work as a thief, stealing for and from magicians—or rather, “gloamists.” In this world, gloamists are people with magical shadows that are alive, gaining strength from the gloamists' own blood. A gloamist can learn to manipulate the magic of their shadow, doing everything from changing how it looks to using it to steal, possess a person, or even murder. Gloamists hire nonmagical people like Charlie to steal precious and rare magical documents written by their kind throughout history and detailing their research and experiments in shadow magic. Gloamists can use onyx to keep each other from sending shadows to steal these treasures, but onyx won't stop regular humans from old-fashioned breaking and entering. After Charlie’s talent for crime gets her into too much trouble, she swears off her old career and tries to settle down with her sensible boyfriend, Vince—but when she finds a dead man in an alley and notices that even his shadow has been ripped to pieces, she can’t help trying to figure out who he was and why he met such a gruesome end. Before she knows it, Charlie is forced back into a life of lies and danger, using her skills as a thief to find a book that could unleash the full and terrifying power of the shadow world. Black is a veteran fantasy writer, which shows in the opening pages as she neatly and easily guides the reader through the engrossing world of gloamists, magical shadows, and Charlie’s brand of criminality. There's a lot of flipping back and forth between the past and the present, and though both timelines are well plotted and suspenseful, the story leans a touch too hard on the flashbacks. Still, the mystery elements are well executed, as is Charlie’s characterization, and the big twist at the end packs a satisfying punch.

Hits the marks for spooky thrills and mysterious chills.

Pub Date: May 3, 2022

ISBN: 978-1-250-81219-3

Page Count: 320

Publisher: Tor

Review Posted Online: Feb. 5, 2022

Kirkus Reviews Issue: March 1, 2022

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A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.

THE SWALLOWED MAN

A retelling of Pinocchio from Geppetto's point of view.

The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”

A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.

Pub Date: Jan. 26, 2021

ISBN: 978-0-593-18887-3

Page Count: 208

Publisher: Riverhead

Review Posted Online: Sept. 30, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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