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COME WATCH THE SUN GO HOME

A powerful (pseudonymous) account of life in China after the Communist victory, written by a woman who accompanied her family back to China from the US. Her father, fearful of the growing civil war between the government and the forces of Mao-Tse-Tung, left China toward the end of the Second World War, but returned, full of optimism, in 1949. The author, schooled in the US, brings a vivid dual sensibility to bear on the gradual disillusionment that followed: their classification as —national bourgeoisie—; the relentless pressure on them to sell their house to the government; the imprisonment of her father without charge for seven months. And yet these, she writes, were —the good years— in which everyone “was in an easier state of mind and feeling better disposed toward the new government.— In the years which followed, particularly during the Cultural Revolution, millions were to die, and she and the 400 men and women who worked with her in the Central Music Conservatory were sent to work in the countryside. Her father died because all the qualified doctors and specialists had been sent out to raise animals and scrub floors. She found a book on Chinese technology in the 17th century, and the only difference she could find was that they then used animals instead of people as their beasts of burden. In telling the story, Chen destroys the myth that most Chinese willingly waved the Little Red Book: “Nothing could be further from the truth. This performance was a farce, and every rational Chinese despised it.— With the fall of Chiang Ching, the climate improved somewhat, and Chen received a Rockefeller grant to the US, where she has remained since the Tiananmen Square massacre. An often harrowing account of a life lived in circumstances where tragedy, terror, and the surreal were mixed, by a woman who never lost her sanity or her sensitivity. (Radio satellite tour)

Pub Date: June 1, 1998

ISBN: 1-56924-742-0

Page Count: 336

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1998

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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