A touching, heartfelt, and amusing book that provides a wonderful personal perspective on a period of historical and...

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THE NEWSPAPER BOY

COMING OF AGE IN BIRMINGHAM, ALABAMA DURING THE CIVIL RIGHTS ERA

A white Southerner describes his teenage journey to racial tolerance in this debut coming-of-age autobiography.

Attorney Isom grew up and attended college during the 1950s and ’60s in Birmingham, Alabama—a city that was home to some of the most notorious racism of the civil rights era, peaking in 1963 with Commissioner of Public Safety Bull Connor’s violent enforcement of segregation and a church bombing that killed four black children. That backdrop makes Isom’s personal story even more remarkable. As a teenager, he was fired up by the racist views of his society, particularly those of famous segregationist and Klansman Asa Carter, after the U.S. Supreme Court’s Brown v. Board of Education decision in 1954. However, he was slowly swayed the opposite way by the kindness and “question everything” philosophy of the Millers, two Yankee transplants on his paper route. It’s an iconic, real-life struggle, as Isom made a moral choice between the devil and the angel on his shoulders. His memoir also features an intriguing subplot regarding his father, Hewlett Chervis Isom Sr., a kind man who was once sickened by having to kill a chicken for dinner; he questioned his own prejudice, too, like his son, but he couldn’t quite make the leap that the author did. Some passages will flesh out readers’ understanding of bus segregation by detailing the elder Isom’s experiences as a Greyhound driver. One tends to think that Rosa Parks protested, African-Americans boycotted, and bus segregation ended—but readers soon learn that the reality was more complicated than that. Other childhood memories, unrelated to Isom’s internal struggles, will also keep readers’ attention, such as a time on his paper route when he encountered a customer that would make Blanche DuBois seem like a model subscriber.

A touching, heartfelt, and amusing book that provides a wonderful personal perspective on a period of historical and cultural change.

Pub Date: N/A

ISBN: 978-1-940524-03-0

Page Count: 359

Publisher: The Working Writers

Review Posted Online: Feb. 16, 2015

Kirkus Reviews Issue: March 15, 2015

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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