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THE NEWSPAPER BOY

COMING OF AGE IN BIRMINGHAM, ALABAMA DURING THE CIVIL RIGHTS ERA

A touching, heartfelt, and amusing book that provides a wonderful personal perspective on a period of historical and...

Awards & Accolades

Our Verdict

  • Our Verdict
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  • Kirkus Reviews'
    Best Books Of 2015

A white Southerner describes his teenage journey to racial tolerance in this debut coming-of-age autobiography.

Attorney Isom grew up and attended college during the 1950s and ’60s in Birmingham, Alabama—a city that was home to some of the most notorious racism of the civil rights era, peaking in 1963 with Commissioner of Public Safety Bull Connor’s violent enforcement of segregation and a church bombing that killed four black children. That backdrop makes Isom’s personal story even more remarkable. As a teenager, he was fired up by the racist views of his society, particularly those of famous segregationist and Klansman Asa Carter, after the U.S. Supreme Court’s Brown v. Board of Education decision in 1954. However, he was slowly swayed the opposite way by the kindness and “question everything” philosophy of the Millers, two Yankee transplants on his paper route. It’s an iconic, real-life struggle, as Isom made a moral choice between the devil and the angel on his shoulders. His memoir also features an intriguing subplot regarding his father, Hewlett Chervis Isom Sr., a kind man who was once sickened by having to kill a chicken for dinner; he questioned his own prejudice, too, like his son, but he couldn’t quite make the leap that the author did. Some passages will flesh out readers’ understanding of bus segregation by detailing the elder Isom’s experiences as a Greyhound driver. One tends to think that Rosa Parks protested, African-Americans boycotted, and bus segregation ended—but readers soon learn that the reality was more complicated than that. Other childhood memories, unrelated to Isom’s internal struggles, will also keep readers’ attention, such as a time on his paper route when he encountered a customer that would make Blanche DuBois seem like a model subscriber.

A touching, heartfelt, and amusing book that provides a wonderful personal perspective on a period of historical and cultural change.

Pub Date: N/A

ISBN: 978-1-940524-03-0

Page Count: 359

Publisher: The Working Writers

Review Posted Online: Feb. 16, 2015

Kirkus Reviews Issue: March 15, 2015

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SLEEPERS

An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)

Pub Date: July 10, 1995

ISBN: 0-345-39606-5

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

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LIFE IS SO GOOD

The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.

Pub Date: Feb. 1, 2000

ISBN: 0-375-50396-X

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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