A slow cooker with an unpromising title offers satisfying, intellectual storytelling.
Mendelson proves she has staying power with this subtly drawn second novel.
The author revisits the territory of Morningside Heights (2003): a staid, hyper-professional Columbia University neighborhood of long-married couples and the chronically single. Likable corporate lawyer Peter Frankl and his prickly artist wife Lesley are terribly mismatched, but have endured 30 years together at 444 Riverside Drive for the sake of the children—handsome, happy-go-lucky MBA Louis and sensible, highly intellectual Susan, finishing her doctorate in musicology and already spinsterish though not quite 30. Lesley has essentially harnessed Peter into a moneymaking career and spendthrift lifestyle that are deeply repugnant to him. When she falls into a long coma after a car accident, he feels emotionally released to pursue more academic and artistic pleasures, such as meetings at the dotty, philanthropic Devereaux Foundation, of which he is a member. Manipulative, self-absorbed Lesley’s removal from the family orbit also seems to loosen her offspring’s emotional stays. Susan takes up with a snide, unappreciative Yale playwright she meets at a party thrown by her best friend, journalist Mallory Holmes. Louis, proving his mettle, pursues pretty, intelligent Mallory, whose parents live in the same building as the Frankls. In fact, the whole neighborhood begins to crawl with significant neighbors, such as the creepy, sadistic critic Edmond Lockhart, who invites Peter over for dinner in order to insult him, and timorous, hysterical fellow Devereaux member Hilda Hughes, who develops a poignant crush on Peter that enables her finally to quit a near-lifetime course of psychotherapy. Mendelson effectively narrates Peter’s emotional frustration vis-à-vis his wife, but somewhat derails the story by dabbling in the petty concerns of younger, tertiary characters. However, the author certainly knows her neighborhood, and she has polished an elegant, omniscient prose style modeled on the finest English novelists.
A slow cooker with an unpromising title offers satisfying, intellectual storytelling.Pub Date: Aug. 9, 2005
ISBN: 0-375-50837-6
Page Count: 368
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2005
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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