Though the rubric of “essay” seems to be synonymous with “intimate memoir,” these frequently personal encounters remain...
Still under the general editorship of Robert Atwan and this year edited by Strayed (Wild: From Lost to Found on the Pacific Crest Trail, 2012, etc.), the annual reprise of the venerable series takes a decidedly introspective turn.
More than two dozen talented authors, selected by Strayed, write about themselves, more or less. Whether it’s this year’s editor or the times, it seems more, not less, and first-person singular is the prevailing mode. Don’t look here for classical essays about the state of civilization or self-effacing reportage or unencumbered humor—no shades of E.B. White, Dorothy Parker, Stephen Jay Gould, Joseph Epstein or John McPhee. Rather, among many notable pieces, Zadie Smith muses at length about her coming to appreciate the artistry of Joni Mitchell, Steven Harvey provides a powerful recollection of his mother and her suicide, Jon Kerstetter writes of the pain of combat triage, and Vanessa Veselka presents a harrowing story of runaway girls who ride with truckers. Yielding pleasures beyond the frisson of tales of other people’s woes, the selections are seriously considered and often artfully constructed. With many rhetorical flourishes, they concern fraught travels, serious illnesses, mothers, fathers, youthful friends, boyfriends, girlfriends, birth, life, a lot of death and, perforce, self. Many of these personal essays seek to take on larger meanings, and if some heartfelt pieces, to make a universal point, confuse the essay form with a confessional, the practice works. Other notable contributors include John Jeremiah Sullivan, Alice Munro, Walter Kirn, Charles Baxter, Dagoberto Gilb, and the sources are diverse, from the New Yorker, GQ and the New York Times Magazine to River Teeth, Prairie Schooner and ZYZZYVA.
Though the rubric of “essay” seems to be synonymous with “intimate memoir,” these frequently personal encounters remain oddly seductive.Pub Date: Oct. 8, 2013
ISBN: 978-0-544-10388-7
Page Count: 336
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: Oct. 2, 2013
Kirkus Reviews Issue: Oct. 15, 2013
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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