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THERE WAS A COUNTRY

A PERSONAL HISTORY OF BIAFRA

A powerful memoir/document of a terrible conflict and its toll on the people who endured it.

The eminent Nigerian author recounts his coming-of-age during the now scarcely remembered civil war of 1967–1970 that sundered his country.

An Igbo by birth and heritage, born into a deeply Christian family in 1930, Achebe (The Education of a British-Protected Child: Essays, 2009, etc.) grew up at a time when British colonial rule was at its orderly zenith and educational institutions in Nigeria were first-rate. These schools turned out the imminent Nigerian leaders and pioneers of modern African literature, who would assume power and position as Nigeria marched to independence in 1960. Yet within the vacuum left by the departing British, Nigeria became “a cesspool of corruption and misrule,” with the numerous ethnic groups vying for power, especially the dominant Igbo in the east, the Yoruba on the coast, and Hausa/Fulani in the north. The Igbo were increasingly resented and persecuted for their education, competitive individualism and industriousness. The coup of Jan. 15, 1966 was ostensibly led by Igbo military leaders and was countered by bloody assassinations six months later, followed by pogroms against the Igbo by northerners. Igbo refugees flooded the Eastern Region, which refused to recognize the Nigerian government led by Lt. Col. Yakubu Gowon; the consensus was building across the East, led by Col. Odumegwu Ojukwu, that “secession was the only viable path.” The East was declared the Republic of Biafra on May 30, 1967, with the full backing of the Constituent Assembly and the best Igbo minds of the time, including Achebe. The arrangement proved disastrous, as Gowon aimed to crush the insurrection at all costs, starving Biafra by blockade and creating a global humanitarian disaster that killed an estimated 3 million, mostly children. Achebe looks at all sides of the conflict, inserting poems he wrote at the time and tributes to Nigerian writers and intellectuals.

A powerful memoir/document of a terrible conflict and its toll on the people who endured it.

Pub Date: Oct. 15, 2012

ISBN: 978-1-59420-482-1

Page Count: 352

Publisher: Penguin Press

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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