by Chris Anderson ‧ RELEASE DATE: May 3, 2016
A handy guide for novice and moderately experienced speakers, once you’ve dodged the TED boosterism.
The head honcho of the much-watched (and oft-satirized) TED Talks shares how he gets the best out of speakers.
Martin Luther King Jr.’s “I Have a Dream” speech, writes Anderson, clocked in at 17 minutes, 40 seconds: just a hair under the 18 minutes allotted to speakers at the TED Conference, a group that’s included high-wattage thinkers like Bill Gates, Andrew Solomon, and Steven Pinker. The King comparison is apt, since Anderson writes with a preacher’s enthusiasm and messianic demeanor about the virtues of TED Talks and about why you might want to master the skills involved in presenting one. From appropriate dress to calming your nerves to revising to pacing, the bulk of the book is filled with tips. Hone the “throughline” of your talk—its (usually counterintuitive) point—into 15 words. Own your vulnerability and express it onstage. Emphasize parable and metaphor in your storytelling. Avoid bombarding people with slides, especially ones with lots of bullet points (“bullets belong in The Godfather”). Avoid airy expressions of gratitude when you start and finish, and focus instead on more earthbound questions and assertions that stoke curiosity. Anderson provides examples from the TED vault to bolster his points, mentioning speaker shipwrecks anonymously and calling out particularly surprising and successful ones by name—he refers a few times to Monica Lewinsky’s 2015 talk as an example of intense preparation, fending off fear, and telling a story that resonates. The author’s exhortations to constantly revise, rehearse, and rethink your story are all unimpeachably practical. (Indeed, the book unintentionally doubles as a helpful writing guide.) So it’s disappointing that the closing chapters devolve into a TED history lesson and overenthusiastic cheerleading about the organization’s world-changing powers—an oddly soft conclusion from a writer who demands we stick the landing.
A handy guide for novice and moderately experienced speakers, once you’ve dodged the TED boosterism.Pub Date: May 3, 2016
ISBN: 978-0-544-63449-7
Page Count: 288
Publisher: Houghton Mifflin Harcourt
Review Posted Online: March 27, 2016
Kirkus Reviews Issue: April 15, 2016
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by Glennon Doyle ‧ RELEASE DATE: March 10, 2020
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.
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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.
In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.Pub Date: March 10, 2020
ISBN: 978-1-9848-0125-8
Page Count: 352
Publisher: Dial Books
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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SEEN & HEARD
by Matt Haig ‧ RELEASE DATE: Feb. 23, 2016
A vibrant, encouraging depiction of a sinister disorder.
A British novelist turns to autobiography to report the manifold symptoms and management of his debilitating disease, depression.
Clever author Haig (The Humans, 2013, etc.) writes brief, episodic vignettes, not of a tranquil life but of an existence of unbearable, unsustainable melancholy. Throughout his story, presented in bits frequently less than a page long (e.g., “Things you think during your 1,000th panic attack”), the author considers phases he describes in turn as Falling, Landing, Rising, Living, and, finally, simply Being with spells of depression. Haig lists markers of his unseen disease, including adolescent angst, pain, continual dread, inability to speak, hypochondria, and insomnia. He describes his frequent panic attacks and near-constant anhedonia, the inability to experience pleasure. Haig also assesses the efficacy of neuroscience, yoga, St. John’s wort, exercise, pharmaceuticals, silence, talking, walking, running, staying put, and working up the courage to do even the most seemingly mundane of tasks, like visiting the village store. Best for the author were reading, writing, and the frequent dispensing of kindnesses and love. He acknowledges particularly his debt to his then-girlfriend, now-wife. After nearly 15 years, Haig is doing better. He appreciates being alive and savors the miracle of existence. His writing is infectious though sometimes facile—and grammarians may be upset with the writer’s occasional confusion of the nominative and objective cases of personal pronouns. Less tidy and more eclectic than William Styron’s equally brief, iconic Darkness Visible, Haig’s book provides unobjectionable advice that will offer some help and succor to those who experience depression and other related illnesses. For families and friends of the afflicted, Haig’s book, like Styron’s, will provide understanding and support.
A vibrant, encouraging depiction of a sinister disorder.Pub Date: Feb. 23, 2016
ISBN: 978-0-14-312872-4
Page Count: 272
Publisher: Penguin
Review Posted Online: Nov. 3, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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